Editorial
EDITORIAL
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- 14 February 2002, p. 89
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EDITORIAL
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- Published online by Cambridge University Press:
- 15 August 2002, pp. 169-170
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EDITORIAL
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- Published online by Cambridge University Press:
- 25 September 2001, pp. 1-2
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Research Article
From algorithmic jukeboxes to zero-time synthesis: a potential A-Z of music in tomorrow's world (a conference provocation)
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- 14 February 2002, pp. 91-96
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Recent and emerging work in music technology in Southeast Asia
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- 25 September 2001, pp. 3-9
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12k: between two points
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- 15 August 2002, pp. 171-176
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A view of computer music from New Zealand: Auckland, Waikato and the Asia/Pacific connection
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- 25 September 2001, pp. 11-20
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Operating in musical economies of compromise (or . . . When do I get paid for writing this?)
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- 15 August 2002, pp. 177-184
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Caveats from a dyed-in-the-wool futurist
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- 14 February 2002, pp. 97-102
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New spaces / new places: a Sound House for the performance of electroacoustic music and sonic art
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- 14 February 2002, pp. 103-105
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Half-heard sounds in the summer air: electroacoustic music in Wellington and the South Island of New Zealand
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- 25 September 2001, pp. 21-28
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No more mind games
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- 15 August 2002, pp. 185-191
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Noise threshold: Merzbow and the end of natural sound
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- 15 August 2002, pp. 193-200
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Expanding contexts for computer music: one composer's experience
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- 25 September 2001, pp. 29-37
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Networked music: bridging real and virtual space
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- 14 February 2002, pp. 107-110
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Milch, 2000
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- 15 August 2002, pp. 201-213
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An echo from closed doors
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- 25 September 2001, pp. 39-45
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Music negotiation: routes in user-based description of music
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- 14 February 2002, pp. 111-115
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Cyberspace memes
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- 14 February 2002, pp. 117-120
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Auto-synthesis
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- 15 August 2002, pp. 215-223
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