Book reviews
Todd Winkler, Composing Interactive Music – Techniques and Ideas Using Max. The MIT Press, Cambridge, MA/London, England, 1998. 350 pp. + CD-ROM with programming examples from the text and additional material (requires an Apple MacIntosh computer with MAX software installed). ISBN 0-262-23193-X.
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- 30 May 2001, pp. 51-55
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Jörg Stelkens and Hans G. Tillmann (eds.), Klangforschung '98: Symposium zur elektronischen Musik. Saarbrücken: PFAU-Verlag, 1999. 201 pp. Softback, ISBN 3-89727-086-2
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- 30 May 2001, pp. 51-55
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Perry R. Cook (ed.), Music, Cognition, and Computerized Sound: An Introduction to Psychoacoustics. Cambridge, MA: MIT Press, 1999. ISBN 0-26203-256-2.
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- 08 June 2001, pp. 111-116
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Book Review
Helga de la Motte-Haber (ed.) Klangkunst: Tönende Objekte und klingende Räume. Volume 12. Handbuch der Musik im 20. Jahrhundert. Laaber-Verlag, Laaber, Germany, 1999. 352 pp. ISBN 3-89007-432-4. RRP DM198. CD-ROM DEGEM-01 Klangkunst in Deutschland (Sonic Art in Germany). Can be ordered from the Neue Zeitschrift für Musik, eserservice, Schott Musik International, Postfach 3640, 55026 Mainz, Germany. Order no. T 5150. RRP DM49.90.
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- 23 July 2001, pp. 191-194
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Book reviews
David Cope, The Algorithmic Composer. Madison, WI: A-R Editions Inc., 2000. 302 pp. with CD-ROM (Mac format). ISBN 0-89579-454-3. RRP $49.95.
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- 08 June 2001, pp. 111-116
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Alan P. KeFauver, Fundamentals of Digital Audio. The Computer Music and Digital Audio Series, Vol. 14. Milison, WI: A-R Editions, Inc. 1999. 174 pp. Softback, ISBN 0-89579-405-5. RRP $39.95.
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- 30 May 2001, pp. 51-55
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Patricia Kruth and Henry Stobart (eds.), Sound. New York: Cambridge University Press, 2000. 235 pp. ISBN 0-521-57209-6. RRP $34.95.
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- 08 June 2001, pp. 111-116
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