Nineteenth-Century Music Review: Volume 13 -

Nineteenth-Century Music Review

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Nineteenth-Century Music Review
ISSN: 1479-4098

EISSN: 2044-8414

URL: /core/journals/nineteenth-century-music-review
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Nineteenth-Century Music Review

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Volume 13 - December 2016

Book Reviews

Renate Wieland and Jürgen Uhde, Schubert. Späte Klaviermusik. Spuren ihrer inneren Geschichte (Kassel: Bärenreiter, 2014). 297 pp. €24.95.

Stephen Muir and Anastasia Belina-Johnson, eds, Wagner in Russia, Poland and the Czech Lands: Musical, Literary and Cultural Perspectives (Farnham and Burlington, VT: Ashgate, 2013). xxxvii + 216 pp. $149.95.

Scott Messing, Marching to the Canon: the Life of Schubert’s Marche militaire (Rochester: University of Rochester Press). xviii + 319 pp. £55.00.

Paul Berry, Brahms Among Friends: Listening, Performance and the Rhetoric of Allusion (Oxford: Oxford University Press, 2014). xiii + 379 pp. £29.99

John M. Gingerich, Schubert’s Beethoven Project (Cambridge: Cambridge University Press, 2014). xvi + 358 pp. £65.00.

Dolores Pesce, Liszt’s Final Decade (Rochester: University of Rochester Press, 2014). xiv + 369 pp. £55.00

Katy Hamilton and Natasha Loges, eds, Brahms in the Home and the Concert Hall: Between Private and Public Performance (Cambridge: Cambridge University Press, 2014). xxvii+395 pp. £67.49.

Christopher H. Gibbs and Morten Solvik, eds, Franz Schubert and His World (Princeton: Princeton University Press, 2014). xvii + 364 pp. £52.00.

Alison Hood, Interpreting Chopin: Analysis and Performance (Farnham: Ashgate, 2014). xx+236 pp. £60.00.

Graham Johnson, Franz Schubert: The Complete Songs, 3 vols, with song text translations by Richard Wigmore (New Haven and London: Yale University Press, 2014). xxx+2821 pp. $300.00.

Lisa Feurzeig, Schubert’s Lieder and the Philosophy of Early German Romanticism (Farnham: Ashgate, 2014). xvi + 198 pp. $109.95.

Dorottya Fabian, Renee Timmers and Emery Schubert, eds, Expressiveness in Music Performance: Empirical Approaches across Styles and Cultures (Oxford: Oxford University Press, 2014). xxx + 383 pp. £55.00.

Nicholas Mathew and Benjamin Walton, eds, The Invention of Beethoven and Rossini: Historiography, Analysis, Criticism (Cambridge: Cambridge University Press, 2013). xiii+384 pp. $120.00.

Martin Chusid, Schubert’s Dances: For Family, Friends, and Posterity (Hillsdale, NY: Pendragon Press, 2013). xxxiv+262 pp. $48.00.

Score Review

Franz Schubert, Fantasies for Piano, ed. Walther Dürr and David Goldberger. Franz Schubert: New Schubert Edition, BA 10862 (Kassel: Bärenreiter, 2014). xviii+62pp. € 17,95.

Book Reviews

David Brodbeck, Defining Deutschtum: Political Ideology, German Identity, and Music-Critical Discourse in Liberal Vienna. The New Cultural History of Music (Oxford: Oxford University Press, 2014). xviii+365 pp. $45.00.

Robert P. Morgan, Becoming Heinrich Schenker: Music Theory and Ideology (Cambridge: Cambridge University Press, 2014). xx+275 pp. $99.99.

Front Cover (OFC, IFC) and matter

NCM volume 13 issue 1 Cover and Front matter

Back Cover (OBC, IBC) and matter

NCM volume 13 issue 1 Cover and Back matter

CD Reviews

Louis Spohr - Duo Concertant in G minor op. 95 Duo Concertant in F major op. 96 (‘Nachklänge einer Reise … ’) Duo Concertant in E major op. 112 6 Duettinen op. 127 (‘Elegisch und humoristisch’) - Francesco Parrino vn, Michele Fedrigotti pf Stradivarius 33933 (2 CDs: 124 minutes), $27

Nineteenth-Century Music Review

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Volume 13 - December 2016

Book Reviews

Score Review

Book Reviews

Front Cover (OFC, IFC) and matter

Back Cover (OBC, IBC) and matter

CD Reviews