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Journal of the Society for American Music
ISSN: 1752-1963

EISSN: 1752-1971

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Volume 2 - November 2008

Contents

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Book Review

Dub: Soundscapes & Shattered Songs in Jamaican Reggae. By Michael E. Veal. Middletown, Conn.: Wesleyan University Press, 2007.
Louis Chude-Sokei
Published online by Cambridge University Press:

01 May 2008, pp. 255-258
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Mariachi Music in America: Experiencing Music, Expressing Culture. By Daniel Sheehy. New York: Oxford University Press, 2006.
Lauryn Salazar
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18 July 2008, pp. 431-433
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Copland Connotations: Studies and Interviews. Edited by Peter Dickinson. Wood-bridge, Suffolk: Boydell Press, 2002. - CageTalk: Dialogues with and about John Cage. Edited by Peter Dickinson. Rochester, N.Y.: University of Rochester Press, 2006.
Brett Boutwell
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23 October 2008, pp. 572-579
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Jazz Visions: Reflections on Lennie Tristano and His Legacy. By Peter Ind. London: Equinox Publishing, 2005.
Eunmi Shim
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25 January 2008, pp. 107-109
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Pathways to Unknown Worlds: Sun Ra, El Saturn and Chicago's Afro-Futurist Underground, 1954–68. Edited by John Corbett, Anthony Elms, and Terri Kapsalis. Chicago: WhiteWalls, 2006. - The Wisdom of Sun Ra: Sun Ra's Polemical Broadsheets and Streetcorner Leaflets. Edited by John Corbett. Chicago: WhiteWalls, 2006.
Brent Hayes Edwards
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01 May 2008, pp. 258-265
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Proud to be an Okie: Cultural Politics, Country Music, and Migration to Southern California. By Peter La Chapelle. Berkeley: University of California Press, 2007.
Tracey E. W. Laird
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23 October 2008, pp. 579-583
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Capturing Sound: How Technology Has Changed Music. By Mark Katz. Berkeley: University of California Press, 2004.
Edmond Johnson
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18 July 2008, pp. 433-437
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Chance and Circumstance: Twenty Years with Cage and Cunningham. By Carolyn Brown. New York: Alfred A. Knopf, 2007.
Michael Hicks
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25 January 2008, pp. 109-111
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Making Music in Los Angeles: Transforming the Popular. By Catherine Parsons Smith. Berkeley: University of California Press, 2007.
Mina Yang
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18 July 2008, pp. 437-440
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Cultural Moves: African Americans and the Politics of Representation. By Herman S. Gray. Berkeley: University of California Press, 2005.
Ajay Heble
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01 May 2008, pp. 265-269
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The Music of the Moravian Church in America. Edited by Nola Reed Knouse. Rochester, N.Y.: University of Rochester Press, 2008.
Sarah Eyerly
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23 October 2008, pp. 583-587
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Nobody Knows Where the Blues Come From: Lyrics and History. Edited by Robert Springer. Jackson: University Press of Mississippi, 2006.
Vic Hobson
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25 January 2008, pp. 111-113
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Traveling Home: Sacred Harp Singing and American Pluralism. By Kiri Miller. Urbana: University of Illinois Press, 2008.
John Bealle
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18 July 2008, pp. 440-443
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Public Worship, Private Faith: Sacred Harp and American Folksong. By John Bealle. Athens: University of Georgia Press, 1997.
Peter B. Olson
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25 January 2008, pp. 113-116
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The Guitar in America: Victorian Era to Jazz Age. By Jeffrey J. Noonan. Jackson: University Press of Mississippi, 2008.
Mark E. Perry
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23 October 2008, pp. 587-590
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Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music. By Mark Butler. Bloomington: Indiana University Press, 2006.
Vijay Iyer
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01 May 2008, pp. 269-276
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Recording Reviews

Cloudburst and Other Choral Works. By Eric Whitacre. Polyphony; Stephen Layton, conductor. Hyperion CDA67543, 2006.
Byron Adams
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23 October 2008, pp. 591-593
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Jelly Roll Morton: The Complete Library of Congress Recordings by Alan Lomax. Rounder 11661-1889-2 (8 CDs), 2006.
Phil Pastras
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25 January 2008, pp. 117-119
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Guatemala. Volume 3. Manuel Martínez-Sobral. Suzanne Husson, piano. Marco Polo 8.225104, 1999. - Guatemala. Volume 4. Ricardo Castillo. Massimiliano Damerini, piano. Marco Polo 8.225077, 2000. - Guatemala. Volume 5. Manuel Martínez-Sobral. Suzanne Husson, Michel Bourdoncle, pianos. Marco Polo 8.225188, 2002.
Walter Aaron Clark
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18 July 2008, pp. 445-447
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Book Review

Phonographies: Grooves in Sonic Afro-Modernity. By Alexander G. Weheliye. Durham, N.C.: Duke University Press, 2005.
George Lipsitz
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01 May 2008, pp. 277-279
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