Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 10
Re-Reading Poppea: Some Thoughts on Music and Meaning in Monteverdi's Last Opera
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- Published online by Cambridge University Press:
- 01 January 2020, pp. 173-204
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- Cited by 10
Mozart in the Market-Place
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- Published online by Cambridge University Press:
- 01 January 2020, pp. 18-42
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- Cited by 9
Communication Respecting a Point in the Theory of Brass Instruments
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- Published online by Cambridge University Press:
- 01 January 2020, pp. 56-60
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- Cited by 9
The Language-Character of Music: Some Motifs in Adorno
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- Published online by Cambridge University Press:
- 01 January 2020, pp. 267-279
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- Cited by 9
Repetition and Variation in the Thirteenth-Century Refrain
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- 01 January 2020, pp. 1-23
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- Cited by 9
The Retransition as Sign: Listener-Orientated Approaches to Tonal Closure in Haydn's Sonata-Form Movements
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- Published online by Cambridge University Press:
- 01 January 2020, pp. 11-45
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- Cited by 8
Three Music-Theory Lessons
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- Published online by Cambridge University Press:
- 01 January 2020, pp. 251-282
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- Cited by 8
From Garrick to Gluck: The Reform of Theatre and Opera in the mid-Eighteenth Century
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- Published online by Cambridge University Press:
- 01 January 1967, pp. 111-127
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- Cited by 8
The Musical Patronage of Robert Cecil, First Earl of Salisbury (1563–1612)
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- 01 January 2020, pp. 24-40
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- Cited by 8
‘The Song Unsung’: Luigi Nono's Il canto sospeso
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- Published online by Cambridge University Press:
- 01 January 2020, pp. 83-150
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- Cited by 8
Handel at Drury Lane: Ballad Opera and the Production of Kitty Clive
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- 01 January 2020, pp. 179-226
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- Cited by 8
Listening as Covert Performance
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- 01 January 2020, pp. 67-77
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- Cited by 7
Aspects of the ‘L'Homme armé’ Tradition
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- 01 January 1973, pp. 97-122
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- Cited by 7
Constructing Le nozze di Figaro
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- 01 January 2020, pp. 77-98
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- Cited by 7
The Exclusion of Musical Instruments from the Ancient Synagogue
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- 01 January 1979, pp. 77-87
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- Cited by 7
Eco-Musicology
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- Published online by Cambridge University Press:
- 01 January 2020, pp. 305-320
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- Cited by 7
Interpretation and Performance Practice in Realizing Stockhausen's Studie II
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- Published online by Cambridge University Press:
- 01 January 2020, pp. 445-481
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- Cited by 7
The Archives of the Order of the Golden Fleece and Music
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- 01 January 2020, pp. 1-43
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- Cited by 7
The Norman Chant Traditions — Normandy, Britain, Sicily
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- 01 January 1980, pp. 1-33
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- Cited by 7
The Mechanisms of the Music Trade in Central Germany, 1600–40
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- Published online by Cambridge University Press:
- 01 January 2020, pp. 1-37
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