Reviews
Austin M. Wright, The Formal Principle, in the Novel (Ithaca and London; Cornell University Press, 1982, $19.95). Pp. 317 ISBN 0 8014 1462 8. - Linda Hutcheon, Narcissistic Narrative. The Metafictional Paradox (New York and London: Methuen, 1984, £4.50). Pp. xix, 168. ISBN 0 416 37140 X. - Maurice Couturier (ed.), Representation and Performance in Post-Modern Fiction (Montpellier: Presses de l'Imprimerie de Récherche — Université Paul Valéry, 1983 FF. 60). Pp. 207. ISS 0 396 7549.
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- 16 January 2009, pp. 154-155
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Patricia Caldwell, The Puritan Conversion Narrative (Cambridge: Cambridge University Press, 1983, £17.50). Pp. x, 210. ISBN 0 521 25460 4.
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- 16 January 2009, pp. 156-157
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Sarah Blacher Cohen, From Hester Street to Hollywood: The Jewish-American Stage and Screen (Bloomington: Indiana University Press, 1983, $28.13). Pp. vii, 278. ISBN 0 253 32500 5. - Mark Slobin, Tenement Songs: The Popular Music of the Jewish Immigrants (Urbana, Chicago, London: Illinois University Press, 1982, $7.95). Pp. 213. ISBN 0 252 00962 2. - Gerald Bordman, American Musical Comedy: From Adonis to Dreamgirls (New York, Oxford: Oxford University Press, 1982, £12.95). Pp. vi, 244. ISBN 0 19 503104 0.
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- 16 January 2009, pp. 157-159
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Robert H. KellerJr, American Protestantism and United States Indian Policy, 1869–82 (Lincoln and London: University of Nebraska Press, 1983, £22.40). Pp. xiii, 359. ISBN 0 8032 2706 X.
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- 16 January 2009, pp. 159-160
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Front matter
AMS volume 19 issue 1 Cover and Front matter
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- 16 January 2009, pp. f1-f6
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Back matter
AMS volume 19 issue 1 Cover and Back matter
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- 16 January 2009, pp. b1-b5
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