The present and past progressive tenses in Persian are the only tenses in which both the main verb and the minor verb dâštan “to have” receive agreement marking. Morpho-syntactically, Persian progressives show the similar properties of both Aspectual Complex Predicates and Serial Verb Constructions. The question that this paper addresses is: are Persian progressive tenses Aspectual Complex Predicates or Serial Verb Constructions? By presenting the morpho-syntactic and semantic analysis of Persian progressives, and highlighting the main properties of Aspectual Complex Predicates and Serial Verb Constructions, the paper shows that, despite the similarities between these verbal constructions and Aspectual Complex Predicates, Persian progressives are instances of Serial Verb Constructions where neither a complementizer nor a conjunction separates the two verbs and the complex describes a single conceptual event.

This study examines the Jamshid of Ferdowsi's Shahnameh and its later reception, specifically the Islamic refashioning of Jamshid in fourteenth-century Shiraz, as evidenced in the ghazals of Hāfez (d. 1389), and the lyric poetry of Khvāju-ye Kermāni (d. 1352 or 1360), and ʿObeyd-e Zākāni (d. 1371). Hāfez, Khvāju, and ʿObeyd used literary devices such as talmih (allusion) and ubi sunt to both engage with and reshape the past, and this refashioning of the past was employed to legitimize their patrons’ authority to rule from Shiraz. The article culminates in an exploration of the mytho-political dimensions of the conflation of Jamshid with Solomon and the intimate association of this composite figure with Fars in the Ilkhanid and post-Ilkhanid periods. Poetry is treated here as a productive force that both shapes and is shaped by the socio-political circumstances of its composition, performance, and reception. In order to locate the thirteenth- and fourteenth-century reconfiguration of Jamshid within its geo-mythological context, use has been made of the concept of lieu de mémoire as a means through which to unpack the trans-historical cultural impact on Shiraz of the ancient Achaemenid and Sasanian ruins that surround the Islamic city; ruins that have for more than two millennia embedded a sense of proximity to history in the land and peoples of Fars.

A decade ago, amidst general enthusiasm for nation-building activities, Samuel Huntington raised the question of whether political institutions might not decay as well as grow. Although he provided but a few guidelines to symptoms of institutional decay, he did introduce a healthy measure of skepticism into the literature on political development. This skepticism is particularly warranted in the case of representative institutions.

Throughout much of the Middle East, the life of both political parties and legislatures at the national level have tended to be more formal than real. Institutionbuilding has been attempted at the local level, too, although local politics has received far less attention from students of comparative politics. This essay discusses the roles of political representatives at the local level and the impact of the political milieu upon the way in which these roles are shaped and interpreted by their occupants.

The period of reasonably free and vigorous political party activity in Iran was remarkably brief when viewed in the perspective of the very long history of that ancient land. Beginning slowly after the abdication of Reza Shah in 1941, party activity became steadily more intense until August 1953 when it was suddenly suppressed. But as brief as this period was, these twelve years witnessed patterns of political party development which deserve comparison with the experience of other developing states.

The term “developing” has been in vogue throughout the post-World War II era. But for all that the term remains a vague one. Why Iran with its recorded history of over twenty five hundred years should be classified as “developing” while the United States with a history of less than two hundred years should be classified as “developed” is not immediately obvious.

Based on a textual analysis of the selected works of two writers from Turkey, Mehmed Uzun (1953–2007) and Mehmet Dicle (b.1977), as well as interviews with Kurdish writers and folklore collectors, this study focuses on the links between Kurdish folklore and modern Kurdish literature. Following Gregory Ashcroft's take on heritage, I argue that Kurdish writers’ approach to folkloric motives has evolved through the impact of growing literary experience, inspiration from world literature and deepening knowledge of the Kurdish oral tradition. What is more, Kurdish literature can be treated as an example of cultural and language revitalization, which – according to Justyna Olko – is based on acting in and through the heritage language. Following Doreen Massey's concept of a progressive sense of place, I identify Uzun and Dicle's strategy as linking the local to the universal, suggesting that Kurdish literature should be analyzed within the context of a political geography beyond nationalism.

Among the Achaemenid inscriptions, DPg has been the topic of several studies since the very beginning of cuneiform studies. The photographs prepared by the DARIOSH (Digital Achaemenid Royal Inscription Open Schema Hypertext) project at L’Orientale University of Naples shed light on some ambiguities of this specific inscription and led to the proposal of a new text edition of DPg. The purpose of this article is to follow the whole history of studies on DPg until today and then propose a new reading of the inscription and a discussion of related issues, including its unique creation formula and orthography.

This article explores the process leading to the Afghan government's decision to implement a prohibition and eradication of opium in the northeastern province of Badakhshan. It explores why Daud chose Badakhshan, the impact of the opium ban on the people of Badakhshan and the future of opium production and trade, as well as the evolution of drug control in Afghanistan under the Musahiban dynasty. Ultimately, the ban was launched because it allowed Daud to garner international praise and financial support, while enforcing eradication in an area inhabited by ethnic minorities ensured that the Afghan government's coercive strategy would not generate resistance from rural Pashtun tribes historically opposed to these types of state intervention.

By analyzing linguistic utterances between teachers and students in a Persian heritage language class in the United States, this research study sought to illuminate what kinds of linguistic resources were used by these speakers to show different attitudes, moods and emotions. Furthermore, this study demonstrated possible functions of these linguistic markers and the way they were utilized to influence another party.

Between the Masjid-i Jāmiᶜ and the Maydān-i Shāh was a distance of several kilometers, dotted by minarets, mausoleums, mosques and bazaar areas which served the trade of the central plateau of Persia. They had been built over the intervening centuries since Sasanian times, the old town gradually expanding, some of the small clusters of the bazaar still remaining as satellite villages under Shāh ᶜAbbās’ reign. It was his genius which formed the new city, and it was his conception that linked the new with the old.

Today, the least known to the visitor but in many ways quite the most fascinating aspect of Isfahan is the region that lies between the great mosques: the bazaar. Built by Shāh ᶜAbbās, the entrance to the bazaar, the Qaysariyah, stands at the center of the north end of the Maydān-i Shāh. Set back from the main plaza in a fivesided recess, it forms a courtyard which once embraced a large pool.

In this paper, we discuss the impact of Jürgen Habermas' ideas on Iranian intellectuals who live in Iran. The upshot of the paper is that in present day Iran, where the society is going through a significant transitional period, various intellectual groups have reacted differently towards the ideas of the German philosopher-sociologist. While the orthodox left-wing (ex-Marxist) intellectuals and the conservative right-wing writers have, by and large, tended to ignore his views, a younger generation of the left-wing intellectuals and a number of the Muslim intellectuals with left-wing/socialist tendencies, have tried, each in their own ways, to ‘adopt’ Habermas' ideas in pursuit of their own projects/research programs.

The Date of the Composition of Husayn Vaᶜiz-i Kashifi's Anvār-i Suhaylī is uncertain. It is conjectured that it must have been completed at the end of the ninth/fifteenth century, probably about the time that he wrote another famous work, the Akhlāq-i Muḥsinī. Since Kashifi died in 910/1504-05 “at a ripe old age,” this implies that he had probably already reached an age of experience and wisdom when he started to recast the collection of fables known as Kalīla wa Dimna.

This is not the place to go into detail about the rich and varied history of these fables, and of their adoption in most cultures of the ancient world. It will suffice to recall only the stages of the history of this text that are directly related to the late fifteenth- century Timurid version studied here.

The Pancatantra, the Sanskrit text on which Kalīla wa Dimna was based, was probably composed in Kashmir by an unknown Brahmin around 300 A.D. By using fables which had animals as the main characters, the text aimed at informing youths, who were destined for government posts, about the laws governing political life.

In Iran, national parks were originally created to protect wildlife and natural expanses. Over time, the exigencies of handling conflict with the locals and a worldwide shift in management approaches from strict protection to newer participatory approaches led Iranian conservationists to adopt the discourse of participatory conservation. However, serious institutional and attitudinal obstacles have prevented policy makers and officials from developing good relations with local communities, making it difficult to serve the interests of conservation or accommodate tourists. Based on interviews with past and present officials of the Department of the Environment of Iran and other field observers, this paper discusses approaches to conservation that reconcile the requirements of conservation with the needs of the people who benefit from reserves.

This essay provides a general introductory survey of Iranian and Iran-related studies in the United Kingdom in the twentieth century (including languages, literature, and the arts), with a very brief preliminary foray into earlier Iran-related scholarship and wide-ranging imaginations of Iran in Britain and Ireland, as well as some concluding remarks on contemporary knowledge production about Britain in Iran. Among other themes covered in the essay are the varied contributions of non-Britons and non-Irish to Iran-related scholarship and imaginations in the United Kingdom, underscoring the overall transnational production, dissemination, reception, and utilization of knowledge (history, geography, archaeology, cultures, ethnography and anthropology, art and architecture, Iran-related Persian-language literatures and poetry, etc.). In particular, the essay highlights the contributions made by individuals from, and institutions in, the Indian subcontinent to “British” scholarship and knowledge about Iran.

The Epistle of the Right Path (Risāla-yi Ṣirāṭ al-Mustaqīm) is an anonymous treatise, possibly dating to the late fourteenth or early fifteenth century. It may be the earliest Persian Ismaili prose work of the post-Mongol period to come to light, and is here introduced, discussed, edited and translated. A clearly articulated, philosophically inclined treatment of numerous themes in Ismaili thought, the text draws frequently from Nasir al-Din Tusi's spiritual autobiography, The Voyage (Sayr wa-Sulūk). Its subject matter includes the correspondence between the exoteric and esoteric worlds, the concept of the divine command through which creation attains perfection, the role of the Imam and the esoteric hierarchy, and the fact that esoteric exegesis (ta 'wīl) of divine revelation must be compatible with the principles of the intellect.

This article provides an overview of the ethics of war and peace in the most important and normatively influential work of epic literature known in the eastern lands of Islam, namely the Shahnameh of Ferdowsi (d. 1020 CE). As one of the greatest sources of the Iranian cultural identity for over a millennium, Shahnameh (lit. The book of kings) defines normative ideals in the ethics of war and peace within narratives that connect the ancient history of Iran to its mythical eras and in effect to both the medieval time of the epic's authorship and modern Iranian identity. By identifying limits, standards and legitimacy for war and peace in Shahnameh, this article aims to facilitate an Iranian contribution to the global literature and practice on peacemaking that has deep roots in the Islamo-Persian tradition.

A collocation can be defined as a sequence of words which co-occur more than would be expected by chance. Collocations impose constraints on how words can be used together. An idiom is an expression whose meaning cannot be deduced from the literal definitions and the arrangement of its parts, but refers instead to a figurative meaning that is known only through common use. In this paper I will attempt to expand on these notions. For further clarification, I will compare and contrast some examples from English and Persian.

My aim in this lecture shall be to situate the world of color within the traditional context of the Islamic culture of Persia; to explore the conceptual motivations that provoked its intense crystallization and saturation during the Safavid era; and to ultimately follow this world of color as it is annihilated into nothingness within the presence of Absolute Light. We will therefore witness the conceptual birth, life and death of color as a cyclical yet timeless, metaphysical expression of the Absolute within the world of phenomenal forms.