In this paper I consider how an African historian, Sieh Jeto, plotted his narratives. Sieh was a citizen of Jlao/Sasstown, a Kru polity in Southeastern Liberia. Jlao also author and perform other past-oriented accounts in different genres, and I have written on some of these. There is not room here to discuss all the ways in which Jlao refer to their pasts, and scene-setting is equally brief. I also confine myself to Sieh Jeto's plotting of narrative.
I first encountered Jlao in 1972, and spent a year there in 1975/76. The new regime of President Tolbert at first promised reform, but emergent contradictions and rising opposition culminated in the coup of 1980. Kru groups had several times fought against the ‘Americo Liberian’ government, and in the 1930s Sasstown was the focus of a long war (in which the League of Nations at first intervened) which they lost after painful struggles. No history could be neutral there, and some people were very cautious about provoking official wrath by talking about these times. While fanpote, ‘old time business’, of a distant past might be safer, it was denied in the official ideology that indigenous Liberians had a significant history at all.
It now seems to me that the performances I recorded at different times were part of general changes of consciousness in the country. Sieh Jeto was recommended to me by an eminent Jlao man in Monrovia.