Search results for Twentieth-Century and Contemporary Music

Acknowledgements
Edited by Kenneth Gloag, Cardiff University, Nicholas Jones, Cardiff University
Book:

The Cambridge Companion to Michael Tippett

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05 February 2013

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17 January 2013, pp xvii-xix
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10 - The four piano sonatas: past and present tensions
from Part II - Works and genres
- By Alastair Borthwick
Edited by Kenneth Gloag, Cardiff University, Nicholas Jones, Cardiff University
Book:

The Cambridge Companion to Michael Tippett

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05 February 2013

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17 January 2013, pp 190-205
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Discography
Edited by Georgina Born, University of Oxford
Book:

Music, Sound and Space

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05 February 2013

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17 January 2013, pp 343-343
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The Cambridge Companion to Michael Tippett - Half title page
Edited by Kenneth Gloag, Cardiff University, Nicholas Jones, Cardiff University
Book:

The Cambridge Companion to Michael Tippett

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05 February 2013

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17 January 2013, pp i-i
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6 - Music and the construction of space in office-based work settings
from Part II - Space, sound and affect in everyday lifeworlds
- By Nicola Dibben, Anneli B. Haake
Edited by Georgina Born, University of Oxford
Book:

Music, Sound and Space

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05 February 2013

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17 January 2013, pp 151-168
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13 - Towards an acoustemology of detention in the ‘global war on terror’
from Part IV - Music and sound: torture, healing and love
- By Suzanne G. Cusick
Edited by Georgina Born, University of Oxford
Book:

Music, Sound and Space

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05 February 2013

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17 January 2013, pp 275-291
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11 - Civil twilight:
from Part III - Music, identity, alterity and the politics of space
- By Byron Dueck
Edited by Georgina Born, University of Oxford
Book:

Music, Sound and Space

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05 February 2013

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17 January 2013, pp 239-256
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12 - Music space as healing space:
from Part IV - Music and sound: torture, healing and love
- By Tia DeNora
Edited by Georgina Born, University of Oxford
Book:

Music, Sound and Space

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05 February 2013

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17 January 2013, pp 259-274
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Part I - Contexts and concepts
Edited by Kenneth Gloag, Cardiff University, Nicholas Jones, Cardiff University
Book:

The Cambridge Companion to Michael Tippett

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05 February 2013

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17 January 2013, pp 1-118
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Part I - The design of mediated music and sound
Edited by Georgina Born, University of Oxford
Book:

Music, Sound and Space

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05 February 2013

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17 January 2013, pp 71-148
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7 - Tippett’s ‘great divide’: before and afterKing Priam
from Part II - Works and genres
- By Iain Stannard
Edited by Kenneth Gloag, Cardiff University, Nicholas Jones, Cardiff University
Book:

The Cambridge Companion to Michael Tippett

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05 February 2013

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17 January 2013, pp 121-143
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Illustrations
Edited by Kenneth Gloag, Cardiff University, Nicholas Jones, Cardiff University
Book:

The Cambridge Companion to Michael Tippett

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05 February 2013

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17 January 2013, pp ix-ix
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Copyright page
Edited by Georgina Born, University of Oxford
Book:

Music, Sound and Space

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05 February 2013

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17 January 2013, pp iv-iv
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3 - Music, space and subjectivity
from Part I - The design of mediated music and sound
- By Eric F. Clarke
Edited by Georgina Born, University of Oxford
Book:

Music, Sound and Space

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05 February 2013

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17 January 2013, pp 90-110
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1 - Tippett and twentieth-century polarities
from Part I - Contexts and concepts
- By Arnold Whittall
Edited by Kenneth Gloag, Cardiff University, Nicholas Jones, Cardiff University
Book:

The Cambridge Companion to Michael Tippett

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05 February 2013

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17 January 2013, pp 3-24
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Index
Edited by Georgina Born, University of Oxford
Book:

Music, Sound and Space

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05 February 2013

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17 January 2013, pp 344-358
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1 - Introduction – music, sound and space: transformations of public and private experience
- By Georgina Born
Edited by Georgina Born, University of Oxford
Book:

Music, Sound and Space

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05 February 2013

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17 January 2013, pp 1-70
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Tables
Edited by Kenneth Gloag, Cardiff University, Nicholas Jones, Cardiff University
Book:

The Cambridge Companion to Michael Tippett

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05 February 2013

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17 January 2013, pp x-x
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Series page
Edited by Kenneth Gloag, Cardiff University, Nicholas Jones, Cardiff University
Book:

The Cambridge Companion to Michael Tippett

Published online:

05 February 2013

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17 January 2013, pp ii-ii
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13 - Words and music
from Part II - Works and genres
- By Edward Venn
Edited by Kenneth Gloag, Cardiff University, Nicholas Jones, Cardiff University
Book:

The Cambridge Companion to Michael Tippett

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05 February 2013

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17 January 2013, pp 264-285
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Twentieth-Century and Contemporary Music

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9973 results in Twentieth-Century and Contemporary Music

Acknowledgements

10 - The four piano sonatas: past and present tensions

Discography

The Cambridge Companion to Michael Tippett - Half title page

6 - Music and the construction of space in office-based work settings

13 - Towards an acoustemology of detention in the ‘global war on terror’

11 - Civil twilight:

12 - Music space as healing space:

Part I - Contexts and concepts

Part I - The design of mediated music and sound

7 - Tippett’s ‘great divide’: before and afterKing Priam

Illustrations

Copyright page

3 - Music, space and subjectivity

1 - Tippett and twentieth-century polarities

Index

1 - Introduction – music, sound and space: transformations of public and private experience

Tables

Series page

13 - Words and music

Twentieth-Century and Contemporary Music

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9973 results in Twentieth-Century and Contemporary Music