9883 results in Twentieth-Century and Contemporary Music
Notes on Contributors
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- Twentieth-Century Music / Volume 15 / Issue 1 / February 2018
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- 26 April 2018, p. 1
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TCM volume 15 issue 1 Cover and Back matter
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- Twentieth-Century Music / Volume 15 / Issue 1 / February 2018
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- 26 April 2018, pp. b1-b2
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Gérard Grisey, Accordionist
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- Twentieth-Century Music / Volume 15 / Issue 1 / February 2018
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- 26 April 2018, pp. 11-29
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Introduction: Spectral Thinking
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- Twentieth-Century Music / Volume 15 / Issue 1 / February 2018
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- 26 April 2018, pp. 3-9
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Heard Utopia vs Utopian Hearing: Haas's in vain and Political Ambivalence in New Music
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- Twentieth-Century Music / Volume 15 / Issue 1 / February 2018
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- 26 April 2018, pp. 75-102
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TCM volume 15 issue 1 Cover and Front matter
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- Twentieth-Century Music / Volume 15 / Issue 1 / February 2018
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- 26 April 2018, pp. f1-f3
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Musical Spectra, l'espace sensible and Contemporary Opera
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- Twentieth-Century Music / Volume 15 / Issue 1 / February 2018
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- 26 April 2018, pp. 103-124
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The Skin of Spectral Time in Grisey's Le Noir de l’Étoile
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- Twentieth-Century Music / Volume 15 / Issue 1 / February 2018
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- 26 April 2018, pp. 31-55
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Spectral Music and the Appeal to Nature
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- Twentieth-Century Music / Volume 15 / Issue 1 / February 2018
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- 26 April 2018, pp. 57-73
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Ronald Radano and Tejumola Olaniyan, eds., Audible Empire: Music, Global Politics, Critique (Durham, NC: Duke University Press, 2016), ISBN 978-0-82235-986-9 (hb), 978-0-82236-012-4 (pb).
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- Twentieth-Century Music / Volume 15 / Issue 1 / February 2018
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- 26 April 2018, pp. 137-143
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Hugues Dufourt, La musique spectrale. Une révolution épistémologique (Paris: Éditions Delatour, 2014), ISBN 978-2-7521-0206-5 (pb).
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- Twentieth-Century Music / Volume 15 / Issue 1 / February 2018
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- 26 April 2018, pp. 125-130
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Arvo Pärt's Resonant Texts
- Choral and Organ Music 1956–2015
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- 20 April 2018
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- 10 May 2018
Azealia Banks: ‘Chasing Time’, erotics, and body politics
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- Popular Music / Volume 37 / Issue 2 / May 2018
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- 13 April 2018, pp. 157-174
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- May 2018
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Music and the Broadcast Experience: Performance, Production, and Audiences. Edited by Christina L. Baade and James Deaville. New York: Oxford University Press, 2016. xv + 347 pp. ISBN 978-0-19-931471-3.
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- Popular Music / Volume 37 / Issue 2 / May 2018
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- 13 April 2018, pp. 320-323
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- May 2018
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From ‘Hard Rock Hallelujah’ to ‘Ukonhauta’ in Nokialand: a socionomic perspective on the mood shift in Finland's popular music from 2006 to 2009
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- Popular Music / Volume 37 / Issue 2 / May 2018
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- 13 April 2018, pp. 237-252
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- May 2018
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What is Popular Music Studies Today? A review of the 19th biennial conference of the International Association for the Study of Popular Music
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- Popular Music / Volume 37 / Issue 2 / May 2018
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- 13 April 2018, pp. 296-298
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- May 2018
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The Bloomsbury Handbook of Religion and Popular Music. Edited by Christopher Partridge and Marcus Moberg. London: Bloomsbury, 2017. 425 pp. ISBN 978-1-4742-3733-8.
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- Popular Music / Volume 37 / Issue 2 / May 2018
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- 13 April 2018, pp. 305-307
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- May 2018
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Live music network in Larnaca, Cyprus: from musicians to audience and back (to the venue) again
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- Popular Music / Volume 37 / Issue 2 / May 2018
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- 13 April 2018, pp. 193-211
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- May 2018
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Good Vibrations: Brian Wilson and the Beach Boys in Critical Perspective. Edited by Philip Lambert. Ann Arbor, MI: University of Michigan Press, 2016. 302 pp. ISBN 978-0-472-11995-0
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- Popular Music / Volume 37 / Issue 2 / May 2018
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- 13 April 2018, pp. 314-316
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- May 2018
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The Art of Songwriting. By Richard West. New York: Bloomsbury, 2016. 256 pp. ISBN 978-1-4725-2781-3 - The Cambridge Companion to the Singer Songwriter. 367 pp. Edited by Katherine Williams and Justin A. Williams. Cambridge: Cambridge University Press, 2016. ISBN 978-1-107-68091-3 - The Singer-Songwriter Handbook. Edited by Katherine Williams and Justin A. Williams. 277 pp. New York: Bloomsbury, 2017. ISBN 978-1-6289-2030-7
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- Popular Music / Volume 37 / Issue 2 / May 2018
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- 13 April 2018, pp. 302-305
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- May 2018
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