3296 results in Eighteenth-Century Music
MOZART’S LE NOZZE DI FIGARO: A HIDDEN DRAMATIC DETAIL
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- Eighteenth-Century Music / Volume 1 / Issue 2 / September 2004
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- 07 January 2005, pp. 301-304
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- September 2004
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CONFERENCES
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- Eighteenth-Century Music / Volume 1 / Issue 2 / September 2004
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- 07 January 2005, pp. 341-346
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- September 2004
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GIROLAMO ABOS, STABAT MATER ED. JOSEPH VELLA BONDIN Recent Researches in the Music of the Classical Era 68 Middleton, WI: A-R Editions, 2003 pp. xxiv + 75, ISBN 0 89579 531 0
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- Eighteenth-Century Music / Volume 1 / Issue 2 / September 2004
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- 07 January 2005, pp. 320-321
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- September 2004
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MICHEL-RICHARD DE LALANDE (1657–1726) MUSIC FOR THE SUN KING Te Deum laudamus (S32); ‘Panis angelicus’, from Sacris solemniis (S74); La grande pièce royale (S161); Venite, exultemus (S58) Carolyn Sampson (dessus 1), Natalie Clifton-Griffith (dessus 2), James Gilchrist (haute-contre), Paul Agnew (taille), Jonathan Gunthorpe (basse-taille 1), James Mustard (basse-taille 2) / Ex Cathedra Chamber Choir / Ex Cathedra Baroque Orchestra / Jeffrey Skidmore Hyperion CDA67325, 2002; one disc, 1′11′′
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- Eighteenth-Century Music / Volume 1 / Issue 2 / September 2004
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- 07 January 2005, pp. 328-331
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- September 2004
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ANTONIO VIVALDI (1678–1741) LA VERITÀ IN CIMENTO Nathalie Stutzmann (Damira), Gemma Bertagnolli (Rosane), Guillemette Laurens (Rustena), Anthony Rolfe Johnson (Mamud), Sara Mingardo (Melindo), Philippe Jaroussky (Zelim) / Ensemble Matheus / Jean-Christophe Spinosi Opus 111 op30365, 2003; three discs, 2′38′′
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- Eighteenth-Century Music / Volume 1 / Issue 2 / September 2004
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- 07 January 2005, pp. 333-335
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- September 2004
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DOWNING A. THOMAS AESTHETICS OF OPERA IN THE ANCIEN RÉGIME: 1647–1785 Cambridge: Cambridge University Press, 2002 pp. viii + 411, ISBN 0 521 80188 5
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- Eighteenth-Century Music / Volume 1 / Issue 2 / September 2004
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- 07 January 2005, pp. 316-318
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- September 2004
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JOHN MARSH, SYMPHONIES (PARTS 1 AND 2) ED. IAN GRAHAM-JONES Recent Researches in the Music of the Classical Era 62, 63 Middleton, WI A-R Editions, 2001 pp. xvii + 255, xiv + 213; ISBN 0 89579 486 1, 0 89579 486 X
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- Eighteenth-Century Music / Volume 1 / Issue 1 / March 2004
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- 28 June 2004, pp. 107-109
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- March 2004
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WILLIAM HERSCHEL (1738–1822) SYMPHONIES NOS 2 IN D MAJOR, 8 IN C MINOR, 12 IN D MAJOR, 13 IN D MAJOR, 14 IN D MAJOR, 17 IN C MAJOR London Mozart Players / Matthias Bamert Chandos CHAN 10048, 2003, one disc, 1'08"
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- Eighteenth-Century Music / Volume 1 / Issue 1 / March 2004
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- 28 June 2004, pp. 113-115
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- March 2004
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DAVID YEARSLEY BACH AND THE MEANINGS OF COUNTERPOINT Cambridge: Cambridge University Press, 2002 pp. xvi + 257, ISBN 0 521 80346 2
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- Eighteenth-Century Music / Volume 1 / Issue 1 / March 2004
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- 28 June 2004, pp. 100-104
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- March 2004
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ELSIE ARNOLD AND JANE BALDAUF-BERDES MADDALENA LOMBARDINI SIRMEN: EIGHTEENTH-CENTURY COMPOSER, VIOLINIST, AND BUSINESSWOMAN Lanham, MD, and London: Scarecrow, 2002 pp. xvi + 170, ISBN: 0 8108 4107 X
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- Eighteenth-Century Music / Volume 1 / Issue 1 / March 2004
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- 28 June 2004, pp. 91-92
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EDITORIAL
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- Eighteenth-Century Music / Volume 1 / Issue 1 / March 2004
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- 28 June 2004, p. 3
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- March 2004
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DIVAS OF MOZART'S DAY: OPERATIC ARIAS BY DOMENICO CIMAROSA (1749–1801), VICENTE MARTÍN Y SOLER (1754–1806), WOLFGANG AMADEUS MOZART (1756–1791), VINCENZO RIGHINI (1756–1812), ANTONIO SALIERI (1750–1825), STEPHEN STORACE (1762–1796) Patrice Michaels (soprano), Peter van de Graaff (bass-baritone) / Classical Arts Orchestra / Stephen Alltop (conductor and fortepiano) Cedrille CDR 90000 064, 2002; one disc, 1'16"
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- Eighteenth-Century Music / Volume 1 / Issue 1 / March 2004
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- 28 June 2004, pp. 116-118
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- March 2004
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IAN WOODFIELD OPERA AND DRAMA IN EIGHTEENTH-CENTURY LONDON: THE KING’S THEATRE, GARRICK AND THE BUSINESS OF PERFORMANCE Cambridge: Cambridge University Press, 2001 pp. xiv + 339, ISBN 0 521 80012 9
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- Eighteenth-Century Music / Volume 1 / Issue 1 / March 2004
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- 28 June 2004, pp. 98-100
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JAN DISMAS ZELENKA (1679–1745) Sacred Music (Bach's Contemporaries 4) Litaniæ de Venerabili Sacramento (ZWV147), Regina cœli lætare (ZWV134), Salve regina, mater misericordiæ (ZWV135), Lectiones and Invitatorium from Officium defunctorum (ZWV47) Carolyn Sampson (soprano), Rebecca Outram (soprano), Robin Blaze (countertenor), James Gilchrist (tenor), Michael George (bass), Peter Harvey (bass) / Choir of the King's Consort / The King's Consort / Robert King Hyperion CDA 67350, 2003; one disc, 1'13"
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- Eighteenth-Century Music / Volume 1 / Issue 1 / March 2004
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- 28 June 2004, pp. 119-121
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KARL HOCHREITHER PERFORMANCE PRACTICE OF THE INSTRUMENTAL-VOCAL WORKS OF JOHANN SEBASTIAN BACH TRANS. MELVIN UNGER Lanham, MD, and London: Scarecrow, 2002 pp. xiii + 217, ISBN 0 8108 4258 0
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- Eighteenth-Century Music / Volume 1 / Issue 1 / March 2004
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- 28 June 2004, pp. 92-93
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REPORTS
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- Eighteenth-Century Music / Volume 1 / Issue 1 / March 2004
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- 28 June 2004, pp. 123-127
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- March 2004
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‘LEARNED STYLE’ IN TWO LESSING SETTINGS BY HAYDN
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- Eighteenth-Century Music / Volume 1 / Issue 1 / March 2004
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- 28 June 2004, pp. 29-46
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- March 2004
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RICHARD WILL THE CHARACTERISTIC SYMPHONY IN THE AGE OF HAYDN AND BEETHOVEN Cambridge: Cambridge University Press, 2002 pp. xii + 329, ISBN 0 521 80201 6
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- Eighteenth-Century Music / Volume 1 / Issue 1 / March 2004
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- 28 June 2004, pp. 96-98
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CHRISTOPHE MOYREAU PIÈCES DE CLAVECIN 1753 (EXTRACTS FROM BOOKS 1–6) Douglas Hollick (Harpsichord/Organ) Riverrun RVRCD 60, 2002; one disc, 1'12"
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- Eighteenth-Century Music / Volume 1 / Issue 1 / March 2004
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- 28 June 2004, pp. 115-116
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- March 2004
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RECOVERING VIVALDI’S LOST PSALM
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- Eighteenth-Century Music / Volume 1 / Issue 1 / March 2004
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- 28 June 2004, pp. 61-77
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- March 2004
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