Southeast Asian Studies (SEAS) in China has experienced significant changes in the past twenty years. China's rising political and economic power has stimulated growing demands for better understanding of the wider world, resulting in the rapid development of area studies in recent years. Although SEAS in China predated the relatively recent notion of ‘area studies’ by at least half a century, the boom in area studies has profoundly transformed the field, most notably by attracting a large number of scholars to conduct policy-relevant research. Not only does the ‘policy turn’ reflect shifts of research paradigms in the field of SEAS, but it is also consistent with some larger trends prevailing in China's higher education sector and rapidly changing society in general. This article shows that SEAS in China has grown even more imbalanced, as indicated by the rapid growth of language programmes, absolute domination of short-term policy research, and further marginalisation of humanistic subjects. To respond, Chinese universities have adopted new approaches to SEAS depending on their distinct disciplinary foundations, language coverage, faculty interests, and local governments’ policy preferences.

This article sets out to demonstrate the Southeast Asian nature of Nanzhao as a Sinitic state similar to Dai Viet. Previous studies have focused on Nanzhao's relations with Tang China, and emphasised the heavy Tang influence on its political organisation. Examining Nanzhao's expansion of governance into the Upper Ayeyarwady and Upper Mekong river regions during the eighth and ninth centuries, I argue that it was a kingdom characterised by a combination of Sinitic-style bureaucracy with indigenous Southeast Asian allegiance ties. I demonstrate how Nanzhao utilised these features to broaden its entire power base by administering conquered peoples and maintaining trade routes in the Upper Ayeyarwady and the Upper Mekong from a network of walled-cities. Though Confucianism exerted limited influence at the local level, the elite invoked Confucian civilising ideology to morally justify their governance of conquered peoples. The authority of the king extended beyond the core area, and his bureaucracy was powerful enough to loosely administer regional areas and to shift subdued peoples to populate strategic points within the kingdom, while governing Mon-Khmer polities at the southern periphery indirectly through their own leaders.

The artworks 1001st Island — The Most Sustainable Island in Archipelago (2015–16) by Tita Salina and Dewa Murka (2016) by Teja Astawa are compared as a means to provide insight into ways artists have been interrogating recent urban discourse in Indonesian contemporary art. This article engages with the critical vocabulary proposed by urban historian Abidin Kusno, which analyses green discourse in the changing Indonesian urban landscapes of the post-Suharto era, and explores how these two artworks reflect Kusno's analysis. Salina's multi-media installation and Astawa's painting address two land reclamation projects in areas that have faced rapid urbanisation: Jakarta and Bali. The artworks evoke questions about tradition, spirituality, environmental sustainability and socioeconomic inequality. The artworks are formally and contextually analysed before being compared and evaluated in relation to Indonesian urban history and discourse. Both artists reflect Kusno's critical analysis of green discourse in Indonesia. Salina's work shares parallels with the tools applied by the government in Jakarta, as her artistic practice similarly requires communities to participate in its creation. Meanwhile, Astawa's work mostly reflects the narrative of green discourse. This conclusion invites further investigation into the Java-centrism of urban discourse and the varying ways in which green discourse may be taking place across the Indonesian archipelago.

This article responds to recent calls to consider how religion is defined and deployed in and about Myanmar. Discussing local Pentecostal efforts to evangelise to Buddhists in contemporary Yangon, it presents the encounter with the religious other as one ground from which definitions of religion might emerge. I show that, by taking up new opportunities to share the gospel, believers entered into a long conversation between Christianity and Buddhism dating back to the colonial period. Tracing the different definitions of religion that this conversation generates, and attuning to the dissonances between them, might offer alternate ways for approaching what gets termed the religious and the secular in the study of Myanmar.

This article argues for understanding the reform of the Buddhist tradition in nineteenth-century Siam as a shift towards a secular conceptual grammar, and positions this shift within the dual imperial context of Siam. The binary conceptual structure that can be traced in the Nangsue Sadaeng Kitchanukit (Elaboration on major and minor matters, 1867) also included an opposition between Buddhism and Islam, documenting not only the epistemic marks of the Christian missionary encounter, but also the inner-political imperial context of Siam's hegemony over the Islamic sultanate of Patani.