Book contents
- World-Making Renaissance Women
- World-Making Renaissance Women
- Copyright page
- Dedication
- Contents
- Figures
- Contributors
- Acknowledgments
- Introduction The Literary Contours of Women’s World-Making
- Part I Early Modern Women Framing the Modern World
- Chapter 1 Erotic Origins: Genesis, the Passion, and Aemilia Lanyer’s Queer Temporality
- Chapter 2 Aphra Behn’s Fiction: Transmission, Editing, and Canonization
- Chapter 3 From Aisling Vision to Irish Queen: The Re-emergence of Gráinne Ní Mháille in Europe’s Revolutionary Period
- Chapter 4 Reframing the Picture: Screening Early Modern Women for Modern Audiences
- Part II Remaking the Literary World
- Part III Connecting the Social Worlds of Religion, Politics, and Philosophy
- Part IV Rethinking Early Modern Types and Stereotypes
- Select Bibliography
- Index
Chapter 4 - Reframing the Picture: Screening Early Modern Women for Modern Audiences
from Part I - Early Modern Women Framing the Modern World
Published online by Cambridge University Press: 25 November 2021
- World-Making Renaissance Women
- World-Making Renaissance Women
- Copyright page
- Dedication
- Contents
- Figures
- Contributors
- Acknowledgments
- Introduction The Literary Contours of Women’s World-Making
- Part I Early Modern Women Framing the Modern World
- Chapter 1 Erotic Origins: Genesis, the Passion, and Aemilia Lanyer’s Queer Temporality
- Chapter 2 Aphra Behn’s Fiction: Transmission, Editing, and Canonization
- Chapter 3 From Aisling Vision to Irish Queen: The Re-emergence of Gráinne Ní Mháille in Europe’s Revolutionary Period
- Chapter 4 Reframing the Picture: Screening Early Modern Women for Modern Audiences
- Part II Remaking the Literary World
- Part III Connecting the Social Worlds of Religion, Politics, and Philosophy
- Part IV Rethinking Early Modern Types and Stereotypes
- Select Bibliography
- Index
Summary
In this work, Aemilia Lanyer, the first English woman author to publish a full edition of poems and claim a professional poetic voice, makes powerful assertions on behalf of early modern women through the voice of Pilate’s wife. Defending Eve by way of contrast to the “greater” sin of man in crucifying Christ, Pilate’s wife argues, astoundingly, for women’s right to be the “equals” of men, “free from tyranny.” Lanyer was only one of numerous women authors who wrote and found audiences in the English Renaissance. And yet, for all their bold and assertive voices, most early modern women authors remain relatively unknown to the twenty-first-century public, represented mostly in partial or fragmented view, their shaping contributions as world-makers disregarded, distorted, or erased.
- Type
- Chapter
- Information
- World-Making Renaissance WomenRethinking Early Modern Women's Place in Literature and Culture, pp. 70 - 86Publisher: Cambridge University PressPrint publication year: 2021