Book contents
- Frontmatter
- Contents
- LIST OF ILLUSTRATIONS
- INTRODUCTION TO THIS VOLUME
- BIBLIOGRAPHICAL NOTE
- “FORS CLAVIGERA”: VOLUME VII. (1877): LETTERS 73–84
- SYNOPSIS OF LETTERS 73–84
- LETTER 73 COMMISSARIAT
- LETTER 74 FATHER-LAW
- LETTER 75 STAR LAW
- LETTER 76 OUR BATTLE IS IMMORTAL
- LETTER 77 THE LORD THAT BOUGHT US
- LETTER 78 THE SWORD OF MICHAEL
- LETTER 79 LIFE GUARDS OF NEW LIFE
- LETTER 80 THE TWO CLAVIGERÆ
- LETTER 81 THE FIRST EPISTLE OF JOHN
- LETTER 82 HEAVENLY CHOIRS
- LETTER 83 HESIOD'S MEASURE
- LETTER 84 THE LAST WORDS OF THE VIRGIN
- “FORS CLAVIGERA”: VOLUME VIII. (1878–1884): LETTERS 85–96
- APPENDIX: ADDITIONAL PASSAGES FROM THE MANUSCRIPT OF, AND LETTERS RELATING TO, “FORS CLAVIGERA”
- INDEX
- Plate section
LETTER 78 - THE SWORD OF MICHAEL
Published online by Cambridge University Press: 07 September 2011
- Frontmatter
- Contents
- LIST OF ILLUSTRATIONS
- INTRODUCTION TO THIS VOLUME
- BIBLIOGRAPHICAL NOTE
- “FORS CLAVIGERA”: VOLUME VII. (1877): LETTERS 73–84
- SYNOPSIS OF LETTERS 73–84
- LETTER 73 COMMISSARIAT
- LETTER 74 FATHER-LAW
- LETTER 75 STAR LAW
- LETTER 76 OUR BATTLE IS IMMORTAL
- LETTER 77 THE LORD THAT BOUGHT US
- LETTER 78 THE SWORD OF MICHAEL
- LETTER 79 LIFE GUARDS OF NEW LIFE
- LETTER 80 THE TWO CLAVIGERÆ
- LETTER 81 THE FIRST EPISTLE OF JOHN
- LETTER 82 HEAVENLY CHOIRS
- LETTER 83 HESIOD'S MEASURE
- LETTER 84 THE LAST WORDS OF THE VIRGIN
- “FORS CLAVIGERA”: VOLUME VIII. (1878–1884): LETTERS 85–96
- APPENDIX: ADDITIONAL PASSAGES FROM THE MANUSCRIPT OF, AND LETTERS RELATING TO, “FORS CLAVIGERA”
- INDEX
- Plate section
Summary
Venice, 9th May, 1877
1. I send to-day, to our Museum, a photograph of another capital of the Ducal palace—the chief of all its capitals: the corner-stone of it, on which rests the great angle seen in your photograph No. 3: looking carefully, you will easily trace some of the details of this sculpture, even in that larger general view; for this new photograph, No. 7, shows the same side of the capital.
Representing (this white figure nearest us) LUNA, the Moon, or more properly the Angel of the Moon, holding her symbol, the crescent, in one hand, and the zodiacal sign Cancer in the other,—she herself in her crescent boat, floating on the tides,—that being her chief influence on Venice. And note here the difference between heraldic and pictorial symbolism: she holds her small crescent for heraldic bearing, to show you who she is; once that understood, her crescent boat is a picturesque symbol of the way her reflected light glides, and traverses, and trembles on the waves. You see also how her thin dress is all in waves; and the water ripples under her boat so gaily, that it sets all the leaf below rippling too. The next leaf, you observe, does not ripple.
2. Next to the Angel of the Moon, is the Angel of the planet Jupiter,—the symbol of the power of the Father (Zeus, Pater) in creation.
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- Information
- The Works of John Ruskin , pp. 124 - 145Publisher: Cambridge University PressPrint publication year: 2010First published in: 1907