Book contents
- Frontmatter
- Contents
- LIST OF ILLUSTRATIONS
- INTRODUCTION TO THIS VOLUME
- LIST OF RUSKIN'S OXFORD LECTURES DURING HIS FIRST TENURE OF THE SLADE PROFESSORSHIP (1870—1878)
- PART I “LECTURES ON ART” (INAUGURAL COURSE DELIVERED AT OXFORD IN HILARY TERM, 1870)
- PART II “ARATRA PENTELICI” (SIX LECTURES ON THE ELEMENTS OF SCULPTURE, DELIVERED AT OXFORD IN MICHAELMAS TERM, 1870)
- APPENDIX: LECTURES AND NOTES FOR LECTURES ON GREEK ART AND MYTHOLOGY (1870)
- I “THE STORY OF ARACHNE”: A LECTURE DELIVERED AT WOOLWICH, DECEMBER 13, 1870
- II “THE TORTOISE OF AEGINA”: AN UNDELIVERED LECTURE IN CONTINUATION OF “ARATRA PENTELICI”
- III “THE RIDERS OF TARENTUM”
- IV “THE EAGLE OF ELIS”
- V GREEK AND CHRISTIAN ART: AS AFFECTED BY THE IDEA OF IMMORTALITY
- VI SOME CHARACTERISTICS OF GREEK ART IN RELATION TO CHRISTIAN
- Plate section
III - “THE RIDERS OF TARENTUM”
Published online by Cambridge University Press: 07 September 2011
- Frontmatter
- Contents
- LIST OF ILLUSTRATIONS
- INTRODUCTION TO THIS VOLUME
- LIST OF RUSKIN'S OXFORD LECTURES DURING HIS FIRST TENURE OF THE SLADE PROFESSORSHIP (1870—1878)
- PART I “LECTURES ON ART” (INAUGURAL COURSE DELIVERED AT OXFORD IN HILARY TERM, 1870)
- PART II “ARATRA PENTELICI” (SIX LECTURES ON THE ELEMENTS OF SCULPTURE, DELIVERED AT OXFORD IN MICHAELMAS TERM, 1870)
- APPENDIX: LECTURES AND NOTES FOR LECTURES ON GREEK ART AND MYTHOLOGY (1870)
- I “THE STORY OF ARACHNE”: A LECTURE DELIVERED AT WOOLWICH, DECEMBER 13, 1870
- II “THE TORTOISE OF AEGINA”: AN UNDELIVERED LECTURE IN CONTINUATION OF “ARATRA PENTELICI”
- III “THE RIDERS OF TARENTUM”
- IV “THE EAGLE OF ELIS”
- V GREEK AND CHRISTIAN ART: AS AFFECTED BY THE IDEA OF IMMORTALITY
- VI SOME CHARACTERISTICS OF GREEK ART IN RELATION TO CHRISTIAN
- Plate section
Summary
1. We have seen in the story of the Aeacidæ how great importance was attached in the Greek mind of the figure or shadow of the unity of human and brutal nature in the great Centaur, Cheiron. Not only you find the Aeacidse descended from him on the mother's side, but to him you have entrusted in their youth Æsculapius, Jason, and Achilles. Physician, seafarer, and soldier must alike be brought up at the feet of the Centaur; and stranger still, there is no other subject of sculpture associated with the procession in her own honour, represented on the temple of Athena, but the war of the Centaurs and Lapithæ.
2. Two great truths are hidden under this myth of the Centaur as it takes possession of the Greek mind. There is no more marked instance of the force of a vision, which is scarcely understood by the dreamer, but is to be interpreted by the whole course of subsequent history. In the first place remember that, as in most of the early mythic figures, there is a good and evil meaning continually mingled in it. The Centaurs, as the sons of Ixion and the cloud, are images of wild, unnatural, and disappointed passion; but Cheiron, as the son of Philyra and Chronos [Saturn], is one of the great group of Titans opposed to the injustice of Zeus.
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- The Works of John Ruskin , pp. 390 - 397Publisher: Cambridge University PressPrint publication year: 2010First published in: 1905