Book contents
- Frontmatter
- Contents
- LIST OF ILLUSTRATIONS
- INTRODUCTION TO THIS VOLUME
- BIBLIOGRAPHICAL NOTE
- MODERN PAINTERS VOLUME I
- AUTHOR'S PREFACE TO FIRST EDITION (1843)
- AUTHOR'S PREFACE TO SECOND EDITION (1844)
- AUTHOR'S PREFACE TO THIRD EDITION (1846)
- AUTHOR'S PREFACE TO NEW EDITION (1873)
- AUTHOR'S SYNOPSIS OF CONTENTS
- PART I OF GENERAL PRINCIPLES
- SECTION I OF THE NATURE OF THE IDEAS CONVEYABLE BY ART
- SECTION II OF POWER
- PART II OF TRUTH
- SECTION I GENERAL PRINCIPLES RESPECTING IDEAS OF TRUTH
- SECTION II OF GENERAL TRUTHS
- SECTION III OF TRUTH OF SKIES
- SECTION IV OF TRUTH OF EARTH
- SECTION V OF TRUTH OF WATER
- CHAPTER I OF WATER, AS PAINTED BY THE ANCIENTS
- CHAPTER II OF WATER, AS PAINTED BY THE MODERNS
- CHAPTER III OF WATER, AS PAINTED BY TURNER
- SECTION VI OF TRUTH OF VEGETATION.—CONCLUSION
- Appendix
- Plate section
CHAPTER I - OF WATER, AS PAINTED BY THE ANCIENTS
Published online by Cambridge University Press: 07 September 2011
- Frontmatter
- Contents
- LIST OF ILLUSTRATIONS
- INTRODUCTION TO THIS VOLUME
- BIBLIOGRAPHICAL NOTE
- MODERN PAINTERS VOLUME I
- AUTHOR'S PREFACE TO FIRST EDITION (1843)
- AUTHOR'S PREFACE TO SECOND EDITION (1844)
- AUTHOR'S PREFACE TO THIRD EDITION (1846)
- AUTHOR'S PREFACE TO NEW EDITION (1873)
- AUTHOR'S SYNOPSIS OF CONTENTS
- PART I OF GENERAL PRINCIPLES
- SECTION I OF THE NATURE OF THE IDEAS CONVEYABLE BY ART
- SECTION II OF POWER
- PART II OF TRUTH
- SECTION I GENERAL PRINCIPLES RESPECTING IDEAS OF TRUTH
- SECTION II OF GENERAL TRUTHS
- SECTION III OF TRUTH OF SKIES
- SECTION IV OF TRUTH OF EARTH
- SECTION V OF TRUTH OF WATER
- CHAPTER I OF WATER, AS PAINTED BY THE ANCIENTS
- CHAPTER II OF WATER, AS PAINTED BY THE MODERNS
- CHAPTER III OF WATER, AS PAINTED BY TURNER
- SECTION VI OF TRUTH OF VEGETATION.—CONCLUSION
- Appendix
- Plate section
Summary
Sketch of the functions and infinite agency of water.
Of all inorganic substances, acting in their own proper nature, and without assistance or combination, water is the most wonderful. If we think of it as the source of all the changefulness and beauty which we have seen in clouds; then as the instrument by which the earth we have contemplated was modelled into symmetry, and its crags chiselled into grace; then as, in the form of snow, it robes the mountains it has made with that transcendent light which we could not have conceived if we had not seen; then as it exists in the foam of the torrent, in the iris which spans it, in the morning mist which rises from it, in the deep crystalline pools which mirror its hanging shore, in the broad lake and glancing river; finally, in that which is to all human minds the best emblem of unwearied unconquerable power, the wild, various, fantastic, tameless unity of the sea; what shall we compare to this mighty, this universal element, for glory and for beauty? or how shall we follow its eternal changefulness of feeling? It is like trying to paint a soul.
The ease with which a common representation of it may be given. The impossibility of a faithful one.
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- Information
- The Works of John Ruskin , pp. 494 - 527Publisher: Cambridge University PressPrint publication year: 2010First published in: 1903