Book contents
- Frontmatter
- Contents
- LIST OF ILLUSTRATIONS
- INTRODUCTION TO THIS VOLUME
- BIBLIOGRAPHICAL NOTE
- Modern Painters, Vol. IV. (CONTAINING THE TEXT OF ALL THE EDITIONS)
- PREFACE
- PART V “OF MOUNTAIN BEAUTY”
- CHAP. I OF THE TURNERIAN PICTURESQUE
- CHAP. II OF TURNERIAN TOPOGRAPHY
- CHAP. III OF TURNERIAN LIGHT
- CHAP. IV OF TURNERIAN MYSTERY:—FIRST, AS ESSENTIAL
- CHAP. V OF TURNERIAN MYSTERY:—SECONDLY, WILFUL
- CHAP. VI THE FIRMAMENT
- CHAP. VII THE DRY LAND
- CHAP. VIII OF THE MATERIALS OF MOUNTAINS:—FIRST, COMPACT CRYSTALLINES
- CHAP. IX OF THE MATERIALS OF MOUNTAINS:—SECONDLY, SLATY CRYSTALLINES
- CHAP. X OF THE MATERIALS OF MOUNTAINS:—THIRDLY, SLATY COHERENTS
- CHAP. XI OF THE MATERIALS OF MOUNTAINS:—FOURTHLY, COMPACT COHERENTS
- CHAP. XII OF THE SCULPTURE OF MOUNTAINS:—FIRST, THE LATERAL RANGES
- CHAP. XIII OF THE SCULPTURE OF MOUNTAINS:—SECONDLY, THE CENTRAL PEAKS
- CHAP. XIV RESULTING FORMS:—FIRST, AIGUILLES
- CHAP. XV RESULTING FORMS:—SECONDLY, CRESTS
- CHAP. XVI RESULTING FORMS:—THIRDLY, PRECIPICES
- CHAP. XVII RESULTING FORMS:—FOURTHLY, BANKS
- CHAP. XVIII RESULTING FORMS:—FIFTHLY, STONES
- CHAP. XIX THE MOUNTAIN GLOOM
- CHAP. XX THE MOUNTAIN GLORY
- APPENDIX
- Plate section
CHAP. XII - OF THE SCULPTURE OF MOUNTAINS:—FIRST, THE LATERAL RANGES
Published online by Cambridge University Press: 07 September 2011
- Frontmatter
- Contents
- LIST OF ILLUSTRATIONS
- INTRODUCTION TO THIS VOLUME
- BIBLIOGRAPHICAL NOTE
- Modern Painters, Vol. IV. (CONTAINING THE TEXT OF ALL THE EDITIONS)
- PREFACE
- PART V “OF MOUNTAIN BEAUTY”
- CHAP. I OF THE TURNERIAN PICTURESQUE
- CHAP. II OF TURNERIAN TOPOGRAPHY
- CHAP. III OF TURNERIAN LIGHT
- CHAP. IV OF TURNERIAN MYSTERY:—FIRST, AS ESSENTIAL
- CHAP. V OF TURNERIAN MYSTERY:—SECONDLY, WILFUL
- CHAP. VI THE FIRMAMENT
- CHAP. VII THE DRY LAND
- CHAP. VIII OF THE MATERIALS OF MOUNTAINS:—FIRST, COMPACT CRYSTALLINES
- CHAP. IX OF THE MATERIALS OF MOUNTAINS:—SECONDLY, SLATY CRYSTALLINES
- CHAP. X OF THE MATERIALS OF MOUNTAINS:—THIRDLY, SLATY COHERENTS
- CHAP. XI OF THE MATERIALS OF MOUNTAINS:—FOURTHLY, COMPACT COHERENTS
- CHAP. XII OF THE SCULPTURE OF MOUNTAINS:—FIRST, THE LATERAL RANGES
- CHAP. XIII OF THE SCULPTURE OF MOUNTAINS:—SECONDLY, THE CENTRAL PEAKS
- CHAP. XIV RESULTING FORMS:—FIRST, AIGUILLES
- CHAP. XV RESULTING FORMS:—SECONDLY, CRESTS
- CHAP. XVI RESULTING FORMS:—THIRDLY, PRECIPICES
- CHAP. XVII RESULTING FORMS:—FOURTHLY, BANKS
- CHAP. XVIII RESULTING FORMS:—FIFTHLY, STONES
- CHAP. XIX THE MOUNTAIN GLOOM
- CHAP. XX THE MOUNTAIN GLORY
- APPENDIX
- Plate section
Summary
§ 1. Close beside the path by which travellers ascend the Montanvert from the valley of Chamouni, on the right hand, where it first begins to rise among the pines, there descends a small stream from the foot of the granite peak known to the guides as the Aiguille Charmoz. It is concealed from the traveller by a thicket of alder, and its murmur is hardly heard, for it is one of the weakest streams of the valley. But it is a constant stream; fed by a permanent though small glacier, and continuing to flow even to the close of the summer, when more copious torrents, depending only on the melting of the lower snows, have left their beds “stony channels in the sun.”
I suppose that my readers must be generally aware that glaciers are masses of ice in slow motion, at the rate of from ten to twenty inches a day, and that the stones which are caught between them and the rocks over which they pass, or which are embedded in the ice and dragged along by it over those rocks, are of course subjected to a crushing and grinding power altogether unparalleled by any other force in constant action.
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- The Works of John Ruskin , pp. 174 - 196Publisher: Cambridge University PressPrint publication year: 2010First published in: 1904