Book contents
- Frontmatter
- Contents
- LIST OF ILLUSTRATIONS
- INTRODUCTION TO THIS VOLUME
- BIBLIOGRAPHICAL NOTE
- MODERN PAINTERS VOLUME I
- AUTHOR'S PREFACE TO FIRST EDITION (1843)
- AUTHOR'S PREFACE TO SECOND EDITION (1844)
- AUTHOR'S PREFACE TO THIRD EDITION (1846)
- AUTHOR'S PREFACE TO NEW EDITION (1873)
- AUTHOR'S SYNOPSIS OF CONTENTS
- PART I OF GENERAL PRINCIPLES
- SECTION I OF THE NATURE OF THE IDEAS CONVEYABLE BY ART
- SECTION II OF POWER
- PART II OF TRUTH
- SECTION I GENERAL PRINCIPLES RESPECTING IDEAS OF TRUTH
- SECTION II OF GENERAL TRUTHS
- SECTION III OF TRUTH OF SKIES
- SECTION IV OF TRUTH OF EARTH
- CHAPTER I OF GENERAL STRUCTURE
- CHAPTER II OF THE CENTRAL MOUNTAINS
- CHAPTER III OF THE INFERIOR MOUNTAINS
- CHAPTER IV OF THE FOREGROUND
- SECTION V OF TRUTH OF WATER
- SECTION VI OF TRUTH OF VEGETATION.—CONCLUSION
- Appendix
- Plate section
CHAPTER III - OF THE INFERIOR MOUNTAINS
Published online by Cambridge University Press: 07 September 2011
- Frontmatter
- Contents
- LIST OF ILLUSTRATIONS
- INTRODUCTION TO THIS VOLUME
- BIBLIOGRAPHICAL NOTE
- MODERN PAINTERS VOLUME I
- AUTHOR'S PREFACE TO FIRST EDITION (1843)
- AUTHOR'S PREFACE TO SECOND EDITION (1844)
- AUTHOR'S PREFACE TO THIRD EDITION (1846)
- AUTHOR'S PREFACE TO NEW EDITION (1873)
- AUTHOR'S SYNOPSIS OF CONTENTS
- PART I OF GENERAL PRINCIPLES
- SECTION I OF THE NATURE OF THE IDEAS CONVEYABLE BY ART
- SECTION II OF POWER
- PART II OF TRUTH
- SECTION I GENERAL PRINCIPLES RESPECTING IDEAS OF TRUTH
- SECTION II OF GENERAL TRUTHS
- SECTION III OF TRUTH OF SKIES
- SECTION IV OF TRUTH OF EARTH
- CHAPTER I OF GENERAL STRUCTURE
- CHAPTER II OF THE CENTRAL MOUNTAINS
- CHAPTER III OF THE INFERIOR MOUNTAINS
- CHAPTER IV OF THE FOREGROUND
- SECTION V OF TRUTH OF WATER
- SECTION VI OF TRUTH OF VEGETATION.—CONCLUSION
- Appendix
- Plate section
Summary
The inferior mountains are distinguished from the central, by being divided into beds.
We have next to investigate the character of those intermediate masses which constitute the greater part of all hill scenery, forming the outworks of the high ranges, and being almost the sole constituents of such lower groups as those of Cumberland, Scotland, or South Italy.
All mountains whatsoever, not composed of the granite or gneiss rocks described in the preceding chapter, nor volcanic (these latter being comparatively rare), are composed of beds, not of homogeneous, heaped materials, but of accumulated layers, whether of rock or soil. It may be slate, sandstone, limestone, gravel, or clay; but whatever the substance, it is laid in layers, not in a mass. These layers are scarcely ever horizontal, and may slope to any degree, often occurring vertical, the boldness of the hill outline commonly depending in a great degree on their inclination. In consequence of this division into beds, every mountain will have two great sets of lines more or less prevailing in its contours: one indicative of the surfaces of the beds, where they come out from under each other; and the other indicative of the extremities or edges of the beds, where their continuity has been interrupted.
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- The Works of John Ruskin , pp. 450 - 472Publisher: Cambridge University PressPrint publication year: 2010First published in: 1903