Book contents
- Frontmatter
- Contents
- Notes on Contributors
- Acknowledgements
- Abbreviations
- 1 Introduction: Contacting Graham
- 2 ‘Listen’: W.S. Graham
- 3 Graham and the 1940s
- 4 ‘Roaring between the lines’: W.S. Graham and the White Threshold of Line-Breaks
- 5 Abstract, Real and Particular: Graham and Painting
- 6 Syntax Gram and the Magic Typewriter: W.S. Graham's Automatic Writing
- 7 Dependence in the Poetry of W.S. Graham
- 8 Achieve Further through Elegy
- 9 Graham and the Numinous: The ‘Centre Aloneness’ and the ‘Unhailed Water’
- 10 The Poetry of W.S. Graham
- Further Reading
- General Index
- Index of Graham's Works
3 - Graham and the 1940s
- Frontmatter
- Contents
- Notes on Contributors
- Acknowledgements
- Abbreviations
- 1 Introduction: Contacting Graham
- 2 ‘Listen’: W.S. Graham
- 3 Graham and the 1940s
- 4 ‘Roaring between the lines’: W.S. Graham and the White Threshold of Line-Breaks
- 5 Abstract, Real and Particular: Graham and Painting
- 6 Syntax Gram and the Magic Typewriter: W.S. Graham's Automatic Writing
- 7 Dependence in the Poetry of W.S. Graham
- 8 Achieve Further through Elegy
- 9 Graham and the Numinous: The ‘Centre Aloneness’ and the ‘Unhailed Water’
- 10 The Poetry of W.S. Graham
- Further Reading
- General Index
- Index of Graham's Works
Summary
W.S. Graham and Dylan Thomas met in 1942 in Glasgow when Thomas stayed for a week in David Archer's house. Archer, sometime bookshop owner and publisher of the Parton Poets (including David Gascoyne and George Barker as well as Thomas and Graham), was independently wealthy and a very generous patron to a whole crowd of Glasgow bohemians, as he had previously been in London when he owned and ran the Parton Street bookshop, the centre of the London poetry scene in the late 1930s. He moved to Glasgow to get away from the blitz, opened another bookshop and the Scott Street Arts Centre, and bought a large flat in Sandyford Place, Sauchiehall Street, where he allowed various artistic people to live and work for little or no rent: Jankel Adler, Helen Biggar, Douglas Campbell, Benjamin Creme, Robert Frame, Graham himself, and the actress and poet Julian Orde (a girlfriend of Graham's) were among those who lived in Archer's flat.
Graham had been moving around to avoid conscription. He had been at Newbattle Abbey College, near Edinburgh, where he got a year of formal education paid for by a trade union bursary; the college showed him a way out of the shipyards where he had served an engineering apprenticeship. It was in 1938 at Newbattle that he met his life companion, Nessie (Agnes) Dunsmuir, and they were eventually to marry in 1954. He had also been over to southern Ireland for a while, and had later worked briefly as a machinist in a torpedo factory in Fort Matilda, near Greenock; from there he moved to Glasgow and joined the Scott Street scene.
Robert Frame writes of Graham's time in the rent-free flat in Glasgow, of the poverty and hunger of their life there but also of the social freedom, the music, excitement and fun. He remembers Graham's use of the scrubbed-wood kitchen table where he set himself up to write with his dictionary, his pile of Oxford classics and, tellingly, a pamphlet edition of Joyce's Anna Livia Plurabelle. He would play music from a small record collection as he worked: Richard Tauber's Mozart and Schubert, Sydney McEwan and John McCormick.
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- Information
- W. S. GrahamSpeaking Towards You, pp. 26 - 43Publisher: Liverpool University PressPrint publication year: 2004