Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-t7fkt Total loading time: 0 Render date: 2024-11-26T06:36:02.250Z Has data issue: false hasContentIssue false

3 - Extinction: After/Lives

Published online by Cambridge University Press:  30 April 2024

Pramod K. Nayar
Affiliation:
University of Hyderabad, India
Get access

Summary

In the introductory remarks to her The Book of Vanishing Species, Beatrice Forshall writes: ‘In the eighteen months it has taken me to research this book, 107 species have been declared extinct…. We are depriving ourselves of the raw material of poetry’ (2022: 13). Charlotte McConaghy opens her novel Migrations with the statement: ‘The animals are dying. Soon we will be alone here’ (2020: 3). James Bradley's Clade depicts a slow, incremental loss of species, as the earth itself implodes.

Most of the birds are gone now. She is not sure when they began to disappear: elsewhere there have been huge die-offs, great waves of birds falling from the skies, yet here the process has been more gradual, species slowly disappearing, those that remain less numerous with each passing year. (2017: 43)

Forshall mourns the passing of species, a passing that is irreversible and the species irretrievable. McConaghy suggests that when the nonhumans disappear, humanity will be left all alone. The excerpts are rooted in a history of vanishing species, which is then projected as the imminent future in the characteristic catachronism of the contemporary climate crisis novel, but with the exception that in this future, mankind is likely to disappear too, a literary theme Greg Garrard terms ‘disanthropy’ (2012).

The death of entire species, including the human, has been the subject of considerable literary interest in the era of climate crisis. Although Mary Shelley postulated an earth without humans in The Last Man (1826) and the planetary apocalypse that wipes out humanity is the subject of a novel as early as On the Beach (Nevil Shute 2010 [1957]), the concern with vanishing species has amplified. This decline narrative is everywhere: in different forms of literatur non-fictional works such as Elizabeth Kolbert's The Sixth Extinction (2014); studies of individual species vanishings such as Joel Greenberg's A Feathered River Across the Sky (2014) on the passenger pigeon; collections on vanished species such as Christopher Cokinos’ Hope Is the Thing with Feathers (2000); thought experiments like Alan Weisman's The World Without Us (2007); graphic texts like Brian Vaughan and Pia Guerra's Y: The Last Man (2002–2008); and the IUCN's Red List of endangered species arranged in a rising scale of risk and vulnerability, among others. Artwork on endangered species and extinction has also flourished as seen in Isabella Kirkland and the Extinction Art Project.

Type
Chapter
Information
Vulnerable Earth
The Literature of Climate Crisis
, pp. 68 - 120
Publisher: Cambridge University Press
Print publication year: 2024

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×