Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-mlc7c Total loading time: 0 Render date: 2024-11-05T12:18:28.687Z Has data issue: false hasContentIssue false

12 - Making a scene in the brain

from Part III - Natural-scene perception

Published online by Cambridge University Press:  05 August 2011

Russell A. Epstein
Affiliation:
University of Pennsylvania
Sean P. MacEvoy
Affiliation:
Chestnut Hill, MA, USA
Laurence R. Harris
Affiliation:
York University, Toronto
Michael R. M. Jenkin
Affiliation:
York University, Toronto
Get access

Summary

Introduction

Humans observers have a remarkable ability to identify thousands of different things in the world, including people, animals, artifacts, structures, and places. Many of the things we typically encounter are objects – compact entities that have a distinct shape and a contour that allows them to be easily separated from their visual surroundings. Examples include faces, blenders, automobiles, and shoes. Studies of visual recognition have traditionally focused on object recognition; for example, investigations of the neural basis of object and face coding in the ventral visual stream are plentiful (Tanaka, 1993; Tsao and Livingstone, 2008; Yamane et al., 2008).

Some recognition tasks, however, involve analysis of the entire scene rather than just individual objects. Consider, for example, the situation where one walks into a room and needs to determine whether it is a kitchen or a study. Although one might perform this task by first identifying the objects in the scene and then deducing the identity of the surroundings from this list, this would be a relatively laborious process, which does not fit with our intuition (and behavioral data) that we can identify the scene quite rapidly. Consider as well the challenge of identifying one's location during a walk around a city or a college campus, or through a natural wooded environment. Although we can perform this task by identifying distinct object-like landmarks (buildings, statues, trees, etc.), we also seem to have some ability to identify places based on their overall visual appearance.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2011

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×