Book contents
- Half title page
- Title page
- Copyright page
- Contents
- Contents
- Contributors
- Book part
- Introduction Viewing Inscriptions
- Chapter One Inscriptions, Royal Spaces and Iranian Identity: Epigraphic Practices in Persia and the Ancient Iranian World
- Chapter Two Prayers on Site: The Materiality of Devotional Graffiti and the Production of Early Christian Sacred Space
- Chapter Three Erasure and Memory: Aghlabid and Fatimid Inscriptions in North Africa
- Chapter Four Textual Icons: Viewing Inscriptions in Medieval Georgia
- Chapter Five Pseudo-Arabic ‘Inscriptions’ and the Pilgrim's Path at Hosios Loukas
- Chapter Six Arabic Inscriptions in the Cappella Palatina: Performativity, Audience, Legibility and Illegibility
- Chapter Seven Intercession and Succession, Enlightenment and Reflection: The Inscriptional and Decorative Programme of the Qaratay Madrasa, Konya
- Chapter Eight Remembering Fernando: Multilingualism in Medieval Iberia
- Chapter Nine Displaying the Word: Words as Visual Signs in The Armenian Architectural Decoration of the Monastery of Noravank‘ (14th century)
- Chapter Ten Written in Stone: Civic Memory and Monumental Writing in the Cathedral of San Lorenzo in Genoa
- Chapter Eleven Place, Space and Style: Craftsmen's Signatures in Medieval Islamic Art
- Afterword: Re-Viewing Inscriptions
- Index
Title page
Published online by Cambridge University Press: 05 May 2015
- Half title page
- Title page
- Copyright page
- Contents
- Contents
- Contributors
- Book part
- Introduction Viewing Inscriptions
- Chapter One Inscriptions, Royal Spaces and Iranian Identity: Epigraphic Practices in Persia and the Ancient Iranian World
- Chapter Two Prayers on Site: The Materiality of Devotional Graffiti and the Production of Early Christian Sacred Space
- Chapter Three Erasure and Memory: Aghlabid and Fatimid Inscriptions in North Africa
- Chapter Four Textual Icons: Viewing Inscriptions in Medieval Georgia
- Chapter Five Pseudo-Arabic ‘Inscriptions’ and the Pilgrim's Path at Hosios Loukas
- Chapter Six Arabic Inscriptions in the Cappella Palatina: Performativity, Audience, Legibility and Illegibility
- Chapter Seven Intercession and Succession, Enlightenment and Reflection: The Inscriptional and Decorative Programme of the Qaratay Madrasa, Konya
- Chapter Eight Remembering Fernando: Multilingualism in Medieval Iberia
- Chapter Nine Displaying the Word: Words as Visual Signs in The Armenian Architectural Decoration of the Monastery of Noravank‘ (14th century)
- Chapter Ten Written in Stone: Civic Memory and Monumental Writing in the Cathedral of San Lorenzo in Genoa
- Chapter Eleven Place, Space and Style: Craftsmen's Signatures in Medieval Islamic Art
- Afterword: Re-Viewing Inscriptions
- Index
- Type
- Chapter
- Information
- Publisher: Cambridge University PressPrint publication year: 2015