Book contents
- Frontmatter
- Contents
- Preface
- Introduction
- 1 Graham Greene, the West, and Human Factors
- 2 Imperialism and Sentiment: Paul Scott's Raj Quartet and the Mountbattens
- 3 Forster's Views on Race and Class and Moral Imperatives
- 4 Kipling on Goodness and the Great Game
- 5 Political Perspectives and Moral Fervour in Joseph Conrad
- 6 Henry James on Personal Relations: Looking Beneath and Beyond
- 7 The Heroic Vitalism of D. H. Lawrence
- 8 James Joyce and the Life of Dubliners
- 9 Evelyn Waugh and the City of Aquatint
- 10 Virginia Woolf and Time's Chariot
- 11 Robert Graves' Sense of History
- 12 Christopher Isherwood and Berlin in Decline
- 13 Aldous Huxley and the Dangers of a World Without Ideas
- 14 Somerset Maugham and the Strengths of Simplicity
- 15 Agatha Christie and the Magic of Murder
- 16 Conan Doyle and Sherlock Holmes
- 17 Galsworthy and Social and Sexual Transition
- 18 The Unchanging World of P. G. Wodehouse
- 19 Frank Richards and the Preposterous Excesses of Billy Bunter
- 20 John Buchan and a Life beyond Letters
- 21 Richmal crompton's William and the Charms of the Unorthodox
- 22 Edith Nesbit and the Pleasures of Childhood
- 23 The Excessive Vitalism of Bernard Shaw
- 24 The Melancholia of Katherine Mansfield
- 25 J. M. Barrie and the Boy Who Never Grew Up
- 26 Kenneth Grahame's Singular Mr Toad
- 27 The Wicked Worlds of George Orwell
- 28 Enid Blyton's Evocations of Britain
- 29 Tolkien and the Pursuit and Achievement of Power
- 30 Transitions in the Worlds of C. S. Lewis
- 31 Noël Coward and the Games People Play
- 32 Rattigan's Sensitivities
- 33 Lawrence Durrell and the Uses of Sexuality
- 34 Anthony Powell and the Hollow Heart of the New England
- 35 Angus Wilson and the Pursuit of Values
- 36 William Golding and the Limits of Civilization
- 37 Anthony Burgess and the Energy of the Outsider
- 38 The Ineffable Angst of Samuel Beckett
- 39 Pinter and the Politics of Literature
- 40 Ian Fleming's Establishment and its Guardian
- 41 Le Carré's Hard-pressed Concept of Honour
- 42 Beyond Shadows – Naipaul's Brilliant Bad Temper
- 43 Muriel Spark and Remembrances of Mortality
- 44 The Bizarre Worlds of J. G. Ballard
- 45 Simon Raven's Extravagant Decency
- 46 Salman Rushdie's Magic
- 47 Vikram Seth's Romanticism
- 48 Ruth Prawer Jhabvala's Pictures of Past and Present
- 49 The Relentless Anguish of Kazuo Ishiguro
- 50 Gerald Durrell's Human Zoos
- 51 T. E. Lawrence and the Limits of Commitment
Introduction
Published online by Cambridge University Press: 05 September 2013
- Frontmatter
- Contents
- Preface
- Introduction
- 1 Graham Greene, the West, and Human Factors
- 2 Imperialism and Sentiment: Paul Scott's Raj Quartet and the Mountbattens
- 3 Forster's Views on Race and Class and Moral Imperatives
- 4 Kipling on Goodness and the Great Game
- 5 Political Perspectives and Moral Fervour in Joseph Conrad
- 6 Henry James on Personal Relations: Looking Beneath and Beyond
- 7 The Heroic Vitalism of D. H. Lawrence
- 8 James Joyce and the Life of Dubliners
- 9 Evelyn Waugh and the City of Aquatint
- 10 Virginia Woolf and Time's Chariot
- 11 Robert Graves' Sense of History
- 12 Christopher Isherwood and Berlin in Decline
- 13 Aldous Huxley and the Dangers of a World Without Ideas
- 14 Somerset Maugham and the Strengths of Simplicity
- 15 Agatha Christie and the Magic of Murder
- 16 Conan Doyle and Sherlock Holmes
- 17 Galsworthy and Social and Sexual Transition
- 18 The Unchanging World of P. G. Wodehouse
- 19 Frank Richards and the Preposterous Excesses of Billy Bunter
- 20 John Buchan and a Life beyond Letters
- 21 Richmal crompton's William and the Charms of the Unorthodox
- 22 Edith Nesbit and the Pleasures of Childhood
- 23 The Excessive Vitalism of Bernard Shaw
- 24 The Melancholia of Katherine Mansfield
- 25 J. M. Barrie and the Boy Who Never Grew Up
- 26 Kenneth Grahame's Singular Mr Toad
- 27 The Wicked Worlds of George Orwell
- 28 Enid Blyton's Evocations of Britain
- 29 Tolkien and the Pursuit and Achievement of Power
- 30 Transitions in the Worlds of C. S. Lewis
- 31 Noël Coward and the Games People Play
- 32 Rattigan's Sensitivities
- 33 Lawrence Durrell and the Uses of Sexuality
- 34 Anthony Powell and the Hollow Heart of the New England
- 35 Angus Wilson and the Pursuit of Values
- 36 William Golding and the Limits of Civilization
- 37 Anthony Burgess and the Energy of the Outsider
- 38 The Ineffable Angst of Samuel Beckett
- 39 Pinter and the Politics of Literature
- 40 Ian Fleming's Establishment and its Guardian
- 41 Le Carré's Hard-pressed Concept of Honour
- 42 Beyond Shadows – Naipaul's Brilliant Bad Temper
- 43 Muriel Spark and Remembrances of Mortality
- 44 The Bizarre Worlds of J. G. Ballard
- 45 Simon Raven's Extravagant Decency
- 46 Salman Rushdie's Magic
- 47 Vikram Seth's Romanticism
- 48 Ruth Prawer Jhabvala's Pictures of Past and Present
- 49 The Relentless Anguish of Kazuo Ishiguro
- 50 Gerald Durrell's Human Zoos
- 51 T. E. Lawrence and the Limits of Commitment
Summary
‘When does a satisfying and enjoyable book become a “classic”?’ In her response to this complex question, Elizabeth Foley, Editorial Director of ‘Vintage Classics’, quoted as her own favourite the answer given by Italo Calvino, author of If on a Winter's Night a Traveller. ‘A classic is a book that has never finished saying what it has to say’.
What does a ‘classic’ work of fiction ‘have to say’? Most dedicated readers of serious literature would affirm that it should say something of value. They would expect from a ‘classic’ some kind of significant statement about life and the world. a statement that would draw attention to human problems, and condemn (or applaud) certain points of view as expressed by its characters. Additionally, for we are discussing imaginative literary fiction (and not, let us say, such texts, however influential they might have been in their time, as Hitler's Mein Kampf), the language of a ‘classic’ novel should not only be fresh, memorable, and suited to the purposes of the author, but capable in itself of yielding lasting pleasure to the reader. This, I would like to add, is a feature common to the diverse styles and approaches that Professor Wijesinha has dwelt upon.
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- Twentieth Century ClassicsReflections on Writers and their Times, pp. 1 - 8Publisher: Foundation BooksPrint publication year: 2013