Book contents
- Frontmatter
- Contents
- Preface
- Introduction
- 1 Graham Greene, the West, and Human Factors
- 2 Imperialism and Sentiment: Paul Scott's Raj Quartet and the Mountbattens
- 3 Forster's Views on Race and Class and Moral Imperatives
- 4 Kipling on Goodness and the Great Game
- 5 Political Perspectives and Moral Fervour in Joseph Conrad
- 6 Henry James on Personal Relations: Looking Beneath and Beyond
- 7 The Heroic Vitalism of D. H. Lawrence
- 8 James Joyce and the Life of Dubliners
- 9 Evelyn Waugh and the City of Aquatint
- 10 Virginia Woolf and Time's Chariot
- 11 Robert Graves' Sense of History
- 12 Christopher Isherwood and Berlin in Decline
- 13 Aldous Huxley and the Dangers of a World Without Ideas
- 14 Somerset Maugham and the Strengths of Simplicity
- 15 Agatha Christie and the Magic of Murder
- 16 Conan Doyle and Sherlock Holmes
- 17 Galsworthy and Social and Sexual Transition
- 18 The Unchanging World of P. G. Wodehouse
- 19 Frank Richards and the Preposterous Excesses of Billy Bunter
- 20 John Buchan and a Life beyond Letters
- 21 Richmal crompton's William and the Charms of the Unorthodox
- 22 Edith Nesbit and the Pleasures of Childhood
- 23 The Excessive Vitalism of Bernard Shaw
- 24 The Melancholia of Katherine Mansfield
- 25 J. M. Barrie and the Boy Who Never Grew Up
- 26 Kenneth Grahame's Singular Mr Toad
- 27 The Wicked Worlds of George Orwell
- 28 Enid Blyton's Evocations of Britain
- 29 Tolkien and the Pursuit and Achievement of Power
- 30 Transitions in the Worlds of C. S. Lewis
- 31 Noël Coward and the Games People Play
- 32 Rattigan's Sensitivities
- 33 Lawrence Durrell and the Uses of Sexuality
- 34 Anthony Powell and the Hollow Heart of the New England
- 35 Angus Wilson and the Pursuit of Values
- 36 William Golding and the Limits of Civilization
- 37 Anthony Burgess and the Energy of the Outsider
- 38 The Ineffable Angst of Samuel Beckett
- 39 Pinter and the Politics of Literature
- 40 Ian Fleming's Establishment and its Guardian
- 41 Le Carré's Hard-pressed Concept of Honour
- 42 Beyond Shadows – Naipaul's Brilliant Bad Temper
- 43 Muriel Spark and Remembrances of Mortality
- 44 The Bizarre Worlds of J. G. Ballard
- 45 Simon Raven's Extravagant Decency
- 46 Salman Rushdie's Magic
- 47 Vikram Seth's Romanticism
- 48 Ruth Prawer Jhabvala's Pictures of Past and Present
- 49 The Relentless Anguish of Kazuo Ishiguro
- 50 Gerald Durrell's Human Zoos
- 51 T. E. Lawrence and the Limits of Commitment
6 - Henry James on Personal Relations: Looking Beneath and Beyond
Published online by Cambridge University Press: 05 September 2013
- Frontmatter
- Contents
- Preface
- Introduction
- 1 Graham Greene, the West, and Human Factors
- 2 Imperialism and Sentiment: Paul Scott's Raj Quartet and the Mountbattens
- 3 Forster's Views on Race and Class and Moral Imperatives
- 4 Kipling on Goodness and the Great Game
- 5 Political Perspectives and Moral Fervour in Joseph Conrad
- 6 Henry James on Personal Relations: Looking Beneath and Beyond
- 7 The Heroic Vitalism of D. H. Lawrence
- 8 James Joyce and the Life of Dubliners
- 9 Evelyn Waugh and the City of Aquatint
- 10 Virginia Woolf and Time's Chariot
- 11 Robert Graves' Sense of History
- 12 Christopher Isherwood and Berlin in Decline
- 13 Aldous Huxley and the Dangers of a World Without Ideas
- 14 Somerset Maugham and the Strengths of Simplicity
- 15 Agatha Christie and the Magic of Murder
- 16 Conan Doyle and Sherlock Holmes
- 17 Galsworthy and Social and Sexual Transition
- 18 The Unchanging World of P. G. Wodehouse
- 19 Frank Richards and the Preposterous Excesses of Billy Bunter
- 20 John Buchan and a Life beyond Letters
- 21 Richmal crompton's William and the Charms of the Unorthodox
- 22 Edith Nesbit and the Pleasures of Childhood
- 23 The Excessive Vitalism of Bernard Shaw
- 24 The Melancholia of Katherine Mansfield
- 25 J. M. Barrie and the Boy Who Never Grew Up
- 26 Kenneth Grahame's Singular Mr Toad
- 27 The Wicked Worlds of George Orwell
- 28 Enid Blyton's Evocations of Britain
- 29 Tolkien and the Pursuit and Achievement of Power
- 30 Transitions in the Worlds of C. S. Lewis
- 31 Noël Coward and the Games People Play
- 32 Rattigan's Sensitivities
- 33 Lawrence Durrell and the Uses of Sexuality
- 34 Anthony Powell and the Hollow Heart of the New England
- 35 Angus Wilson and the Pursuit of Values
- 36 William Golding and the Limits of Civilization
- 37 Anthony Burgess and the Energy of the Outsider
- 38 The Ineffable Angst of Samuel Beckett
- 39 Pinter and the Politics of Literature
- 40 Ian Fleming's Establishment and its Guardian
- 41 Le Carré's Hard-pressed Concept of Honour
- 42 Beyond Shadows – Naipaul's Brilliant Bad Temper
- 43 Muriel Spark and Remembrances of Mortality
- 44 The Bizarre Worlds of J. G. Ballard
- 45 Simon Raven's Extravagant Decency
- 46 Salman Rushdie's Magic
- 47 Vikram Seth's Romanticism
- 48 Ruth Prawer Jhabvala's Pictures of Past and Present
- 49 The Relentless Anguish of Kazuo Ishiguro
- 50 Gerald Durrell's Human Zoos
- 51 T. E. Lawrence and the Limits of Commitment
Summary
Moving from Conrad to Henry James, the other writer of the same period whom Leavis fitted into the great tradition, is a leap into another world. The two would seem to have little in common except for their concern with subtle moral choices. One deals with work and duty, the other with conversations. Conrad has the world as his canvas, James the drawing rooms of the Anglo-Saxons. In Conrad, choices can lead to death, in James, they result in sex or its denial.
But despite this, James is undoubtedly one of the greatest of novelists, telling us about the ways in which people relate to each other, how power balances in relationships shift and adjust, how individuals use each other and allow themselves to be used. Sexuality is, obviously, an important element in the gamut of personal relations, and James wrote when women were coming into their own as social authorities too, owners of property, receiving not only education commensurate with that of men, but also sexual education, with such awareness no longer considered improper for virgins.
James is often described as giving centre stage in his novels to young ladies learning about the world, showing us ideal innocence coping through experience with social hypocrisy. Daisy Miller, his finest novella (the short novel James made peculiarly his own), deals with a lively American girl who does not allow herself to be constrained by convention.
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- Twentieth Century ClassicsReflections on Writers and their Times, pp. 31 - 34Publisher: Foundation BooksPrint publication year: 2013