Book contents
- Frontmatter
- Contents
- Preface
- Introduction
- 1 Graham Greene, the West, and Human Factors
- 2 Imperialism and Sentiment: Paul Scott's Raj Quartet and the Mountbattens
- 3 Forster's Views on Race and Class and Moral Imperatives
- 4 Kipling on Goodness and the Great Game
- 5 Political Perspectives and Moral Fervour in Joseph Conrad
- 6 Henry James on Personal Relations: Looking Beneath and Beyond
- 7 The Heroic Vitalism of D. H. Lawrence
- 8 James Joyce and the Life of Dubliners
- 9 Evelyn Waugh and the City of Aquatint
- 10 Virginia Woolf and Time's Chariot
- 11 Robert Graves' Sense of History
- 12 Christopher Isherwood and Berlin in Decline
- 13 Aldous Huxley and the Dangers of a World Without Ideas
- 14 Somerset Maugham and the Strengths of Simplicity
- 15 Agatha Christie and the Magic of Murder
- 16 Conan Doyle and Sherlock Holmes
- 17 Galsworthy and Social and Sexual Transition
- 18 The Unchanging World of P. G. Wodehouse
- 19 Frank Richards and the Preposterous Excesses of Billy Bunter
- 20 John Buchan and a Life beyond Letters
- 21 Richmal crompton's William and the Charms of the Unorthodox
- 22 Edith Nesbit and the Pleasures of Childhood
- 23 The Excessive Vitalism of Bernard Shaw
- 24 The Melancholia of Katherine Mansfield
- 25 J. M. Barrie and the Boy Who Never Grew Up
- 26 Kenneth Grahame's Singular Mr Toad
- 27 The Wicked Worlds of George Orwell
- 28 Enid Blyton's Evocations of Britain
- 29 Tolkien and the Pursuit and Achievement of Power
- 30 Transitions in the Worlds of C. S. Lewis
- 31 Noël Coward and the Games People Play
- 32 Rattigan's Sensitivities
- 33 Lawrence Durrell and the Uses of Sexuality
- 34 Anthony Powell and the Hollow Heart of the New England
- 35 Angus Wilson and the Pursuit of Values
- 36 William Golding and the Limits of Civilization
- 37 Anthony Burgess and the Energy of the Outsider
- 38 The Ineffable Angst of Samuel Beckett
- 39 Pinter and the Politics of Literature
- 40 Ian Fleming's Establishment and its Guardian
- 41 Le Carré's Hard-pressed Concept of Honour
- 42 Beyond Shadows – Naipaul's Brilliant Bad Temper
- 43 Muriel Spark and Remembrances of Mortality
- 44 The Bizarre Worlds of J. G. Ballard
- 45 Simon Raven's Extravagant Decency
- 46 Salman Rushdie's Magic
- 47 Vikram Seth's Romanticism
- 48 Ruth Prawer Jhabvala's Pictures of Past and Present
- 49 The Relentless Anguish of Kazuo Ishiguro
- 50 Gerald Durrell's Human Zoos
- 51 T. E. Lawrence and the Limits of Commitment
13 - Aldous Huxley and the Dangers of a World Without Ideas
Published online by Cambridge University Press: 05 September 2013
- Frontmatter
- Contents
- Preface
- Introduction
- 1 Graham Greene, the West, and Human Factors
- 2 Imperialism and Sentiment: Paul Scott's Raj Quartet and the Mountbattens
- 3 Forster's Views on Race and Class and Moral Imperatives
- 4 Kipling on Goodness and the Great Game
- 5 Political Perspectives and Moral Fervour in Joseph Conrad
- 6 Henry James on Personal Relations: Looking Beneath and Beyond
- 7 The Heroic Vitalism of D. H. Lawrence
- 8 James Joyce and the Life of Dubliners
- 9 Evelyn Waugh and the City of Aquatint
- 10 Virginia Woolf and Time's Chariot
- 11 Robert Graves' Sense of History
- 12 Christopher Isherwood and Berlin in Decline
- 13 Aldous Huxley and the Dangers of a World Without Ideas
- 14 Somerset Maugham and the Strengths of Simplicity
- 15 Agatha Christie and the Magic of Murder
- 16 Conan Doyle and Sherlock Holmes
- 17 Galsworthy and Social and Sexual Transition
- 18 The Unchanging World of P. G. Wodehouse
- 19 Frank Richards and the Preposterous Excesses of Billy Bunter
- 20 John Buchan and a Life beyond Letters
- 21 Richmal crompton's William and the Charms of the Unorthodox
- 22 Edith Nesbit and the Pleasures of Childhood
- 23 The Excessive Vitalism of Bernard Shaw
- 24 The Melancholia of Katherine Mansfield
- 25 J. M. Barrie and the Boy Who Never Grew Up
- 26 Kenneth Grahame's Singular Mr Toad
- 27 The Wicked Worlds of George Orwell
- 28 Enid Blyton's Evocations of Britain
- 29 Tolkien and the Pursuit and Achievement of Power
- 30 Transitions in the Worlds of C. S. Lewis
- 31 Noël Coward and the Games People Play
- 32 Rattigan's Sensitivities
- 33 Lawrence Durrell and the Uses of Sexuality
- 34 Anthony Powell and the Hollow Heart of the New England
- 35 Angus Wilson and the Pursuit of Values
- 36 William Golding and the Limits of Civilization
- 37 Anthony Burgess and the Energy of the Outsider
- 38 The Ineffable Angst of Samuel Beckett
- 39 Pinter and the Politics of Literature
- 40 Ian Fleming's Establishment and its Guardian
- 41 Le Carré's Hard-pressed Concept of Honour
- 42 Beyond Shadows – Naipaul's Brilliant Bad Temper
- 43 Muriel Spark and Remembrances of Mortality
- 44 The Bizarre Worlds of J. G. Ballard
- 45 Simon Raven's Extravagant Decency
- 46 Salman Rushdie's Magic
- 47 Vikram Seth's Romanticism
- 48 Ruth Prawer Jhabvala's Pictures of Past and Present
- 49 The Relentless Anguish of Kazuo Ishiguro
- 50 Gerald Durrell's Human Zoos
- 51 T. E. Lawrence and the Limits of Commitment
Summary
Perhaps the most forgotten of the novelists who seemed important between the wars is Aldous Huxley. He had a most distinguished pedigree, being descended from T. H. Huxley who had been the companion in arms of Charles Darwin when he battled the Creationists to establish the principle of evolution. Huxley's father was the editor of the Cornhill Magazine, when such commentaries on literature and life were influential, and his brother was the famous scientist Julian.
In the twenties, however, Aldous Huxley seemed destined to outstrip them all. David Cecil, in comparing his own contemporaries to the great Victorian novelists, noted that those earlier prodigies had to cover every aspect of fiction, whereas in modern times individuals specialized in particular areas. Thus, if I remember right, Galsworthy dealt with social change while Virginia Woolf created a dazzling tapestry of words. But most important as it seemed to me at the time was Aldous Huxley, who was said to be the great exponent of the novel of ideas.
I am not so sure now, unlike in my naïve teens, that the life of the intellect is quite so significant. But at the time, I wondered too about the characterization, since much of Huxley's work seemed to me simply a more serious version of the country house conversation fiction that other writers had made familiar. In fact, I thought he was more in the line of that long forgotten novelist of the Romantic period, Byron's contemporary Peacock, who wrote romps such as Crotchet Castle.
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- Twentieth Century ClassicsReflections on Writers and their Times, pp. 60 - 63Publisher: Foundation BooksPrint publication year: 2013