Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-v9fdk Total loading time: 0 Render date: 2024-11-03T02:12:51.416Z Has data issue: false hasContentIssue false

Introduction: The Pursuit of Unhappiness

Published online by Cambridge University Press:  22 February 2023

Stephen D. Dowden
Affiliation:
Brandeis University, Massachusetts
Get access

Summary

Ernst ist das Leben, heiter ist die Kunst.

—Schiller, Prologue, Wallenstein

Suffering and death are universal. They are the basal experience that tragic art addresses. But is tragic art in one form or another also universal? Are there times and places on which tragic thinking can have no purchase? If so, is our anti-mythic age of science and reason, of democracy and rapid technological progress an era unsuited to tragic art? The modern world is largely optimistic despite the massively destructive violence of the last century. Terrible things still happen to individuals, to families, to whole peoples. Yet when no wrong seems fully beyond prevention—an unforeseen possibility that with due diligence might have been planned for and averted—or at least beyond reconciliation, perhaps there can be no properly tragic sensibility. With the spread of democracy, literacy, interdependent trade relationships, and education, we increasingly govern our darker impulses more effectively. We empathize with others, discredit ruinous ideologies, and use our powers of reason to diminish the enticements of violence. This optimism has a long history of its own. Tragedy was a specifically Greek form that hinges on the centrality of fate and destruction. But even in ancient Greece tragic art met with skepticism. Emphasizing the cool use of reason over the passions as expressed and aroused in art, Socrates and Plato took a dim view of tragedy’s public influence. Tragedy lay also at a far remove from Hebrew and Christian Scripture and thought. In an act of supreme Vergangenheitsbewältigung, God undoes Job’s sufferings by rewarding him with a new wife, a new family, and riches. Christ rewards believers with the abolition of death and suffering under the sign of divine redemption.

A distant echo of this gift occurs in modern German literature, in the demonically achieved, divinely sanctioned resurrection of Faust’s youth. Goethe’s Faust does not quite abolish death, but it takes a step in that direction. Modern science has begun to treat old age and death as a fate that may become optional, a biological design flaw that may eventually be corrected by technical means: genetic modification, cloning, or some other intervention. We remain similarly optimistic about human perfectibility in other dimensions of human experience. Our law courts and political institutions seek to rectify wrongdoing and prevent future suffering wherever possible.

Type
Chapter
Information
Publisher: Boydell & Brewer
Print publication year: 2014

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×