Book contents
- Thomas Pynchon in Context
- Thomas Pynchon in Context
- Copyright page
- Contents
- Contributors
- Abbreviations
- Chronology
- Introduction
- Part I Times and Places
- Part II Culture, Politics, and Society
- Part III Approaches and Readings
- Chapter 34 Narratology
- Chapter 35 Genre
- Chapter 36 Postmodernism
- Chapter 37 Ambiguity
- Chapter 38 Realities
- Chapter 39 Material Readings
- Chapter 40 Digital Readings
- Chapter 41 Internet Resources
- Chapter 42 Fandom
- Chapter 43 Book Reviews and Reception
- Chapter 44 Critical Literature Review
- Further Reading
- Index
Chapter 42 - Fandom
from Part III - Approaches and Readings
Published online by Cambridge University Press: 31 May 2019
- Thomas Pynchon in Context
- Thomas Pynchon in Context
- Copyright page
- Contents
- Contributors
- Abbreviations
- Chronology
- Introduction
- Part I Times and Places
- Part II Culture, Politics, and Society
- Part III Approaches and Readings
- Chapter 34 Narratology
- Chapter 35 Genre
- Chapter 36 Postmodernism
- Chapter 37 Ambiguity
- Chapter 38 Realities
- Chapter 39 Material Readings
- Chapter 40 Digital Readings
- Chapter 41 Internet Resources
- Chapter 42 Fandom
- Chapter 43 Book Reviews and Reception
- Chapter 44 Critical Literature Review
- Further Reading
- Index
Summary
Is it OK to be a fan? Does every great writer even have fans? No one would ever think to consecrate April 13 as “Henry James in Public Day.” Yet Thomas Pynchon fans around the world pose with their paperbacks every year on his birthday, sipping their Trystero Coffee like monkish communicants partaking of the Eucharist. What is it about Pynchon that inspires such loyalty? Partly, of course, it is the extraordinarily high quality of his work and the exasperating thickheadedness of those unwilling to recognize it. But what are fandom’s gifts to more traditional scholarship, criticism, literary canon-ization?
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- Thomas Pynchon in Context , pp. 341 - 345Publisher: Cambridge University PressPrint publication year: 2019