The New Beethoven: Evolution, Analysis, Interpretation

doi:10.1017/9781787448124

The New Beethoven

Evolution, Analysis, Interpretation

- Get access
  
  Check if you have access via personal or institutional login
  
  Log in Register

Edited by Jeremy Yudkin

Publisher:: Boydell & Brewer
Online publication date:: September 2020
Print publication year:: 2020
Online ISBN:: 9781787448124
DOI:: https://doi.org/10.1017/9781787448124

Series:: Eastman Studies in Music
Subjects:: Music, Music: General Interest

Export citation

Information

Contents

Metrics

Marking the 250th anniversary of the composer's birth, this volume presents twenty-one completely new essays on aspects of Beethoven's personal life, his composing process, his manuscripts, and his greatest works.

- Aa Reduce text
- Aa Enlarge text

View selected items
Save to my bookmarks
Export citations
Download PDF (zip)
Save to Kindle
Save to Dropbox
Save to Google Drive
Save content to
To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to .

To save content items to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Please be advised that item(s) you selected are not available.
You are about to save
Your Kindle email address

Please provide your Kindle email.

@free.kindle.com @kindle.com (service fees apply)

By using this service, you agree that you will only keep content for personal use, and will not openly distribute them via Dropbox, Google Drive or other file sharing services

Page 1 of 2

First
« Prev
1
2
Next »
Last

Contents

Frontmatter
pp i-iv
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Dedication
pp v-vi
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Contents
pp vii-x
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Preface
pp xi-xiv
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Chronological Bibliography of Books, Articles, Book Chapters, and Musical Editions by Lewis Lockwood
pp xv-xx
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Acknowledgments
pp xxi-xxii
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Introduction
pp 1-6
- By Jeremy Yudkin
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Part One - A Creative Life
pp 7-8
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

1 - Of Deserters and Orphans: Beethoven's Early Exposure to the Opéras-Comiques of Monsigny
pp 9-36
- By Steven M. Whiting
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

2 - “A Really Excellent and Capable Man”: Beethoven and Johann Traeg
pp 37-49
- By David Wyn Jones
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

3 - A Four-Leaf Clover: A Newly Discovered Cello, the Premiere of the Ninth Symphony, Beethoven's Circle of Friends in Bonn, and a Corrected Edition of the Song “Ruf vom Berge,” WoO 147
pp 50-77
- By Michael Ladenburger
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

4 - “Where Thought Touches the Blood”: Rhythmic Disturbance as Physical Realism in Beethoven's Creative Process
pp 78-88
- By Bruce Adolphe
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

5 - The Sanctification of Beethoven in 1827–28
pp 89-120
- By Christopher Reynolds
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Part Two - Prometheus / Eroica
pp 121-122
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

6 - The Prometheus Theme and Beethoven's Shift from Avoidance to Embrace of Possibilities
pp 123-147
- By Alan Gosman
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

7 - Beethoven at Heiligenstadt in 1802: Deconstruction, Integration, and Creativity
pp 148-160
- By William Kinderman
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

8 - “Mit Verstärkung des Orchesters”: The Orchestra Personnel at the First Public Performance of Beethoven's Eroica
pp 161-202
- By Theodore Albrecht
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Part Three - Masses
pp 203-204
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

9 - “Aber lieber Beethoven, was haben Sie denn wieder da gemacht?” Observations on the Performing Parts for the Premiere of Beethoven's Mass in C, Opus 86
pp 205-227
- By Jeremiah W. McGrann
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

10 - Heart to Heart: Beethoven, Archduke Rudolph, and the Missa solemnis
pp 228-243
- By Mark Evan Bonds
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

11 - God and the Voice of Beethoven
pp 244-258
- By Scott Burnham
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Part Four - Quartets
pp 259-260
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

12 - “So Here I Am, in the Middle Way”: The Autograph of the “Harp” Quartet and the Expressive Domain of Beethoven’s Second Maturity
pp 261-273
- By M. Lucy Turner
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

13 - Meaningful Details: Expressive Markings in Beethoven Manuscripts, with a Focus on Opus 127
pp 274-331
- By Nicholas Kitchen
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

14 - The Autograph Score of the Slow Movement of Beethoven’s Last Quartet, Opus 135
pp 332-354
- By Barry Cooper
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

15 - Early German-Language Reviews of Beethoven's Late String Quartets
pp 355-386
- By Robin Wallace
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Part Five - Explorations
pp 387-388
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

16 - Three Movements or Four? The Scherzo Movements in Beethoven's Early Sonatas
pp 389-404
- By Erica Buurman
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

17 - Utopia and Dystopia Revisited: Contrasted Domains in Beethoven's Middle-Period F-Major and F-Minor Works
pp 405-436
- By Barbara Barry
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

18 - Schooling the Quintjäger
pp 437-447
- By David B. Levy
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Page 1 of 2

First
« Prev
1
2
Next »
Last

Metrics

Total number of HTML views: 0

Total number of PDF views: 0 *

Loading metrics...

Total views: 0 *

Loading metrics...

* Views captured on Cambridge Core between #date#. This data will be updated every 24 hours.

Usage data cannot currently be displayed.

The New Beethoven

Evolution, Analysis, Interpretation

Book description

Refine List

Actions for selected content:

Contents

Frontmatter
pp i-iv

Dedication
pp v-vi

Contents
pp vii-x

Preface
pp xi-xiv

Chronological Bibliography of Books, Articles, Book Chapters, and Musical Editions by Lewis Lockwood
pp xv-xx

Acknowledgments
pp xxi-xxii

Introduction
pp 1-6

Part One - A Creative Life
pp 7-8

1 - Of Deserters and Orphans: Beethoven's Early Exposure to the Opéras-Comiques of Monsigny
pp 9-36

2 - “A Really Excellent and Capable Man”: Beethoven and Johann Traeg
pp 37-49

3 - A Four-Leaf Clover: A Newly Discovered Cello, the Premiere of the Ninth Symphony, Beethoven's Circle of Friends in Bonn, and a Corrected Edition of the Song “Ruf vom Berge,” WoO 147
pp 50-77

4 - “Where Thought Touches the Blood”: Rhythmic Disturbance as Physical Realism in Beethoven's Creative Process
pp 78-88

5 - The Sanctification of Beethoven in 1827–28
pp 89-120

Part Two - Prometheus / Eroica
pp 121-122

6 - The Prometheus Theme and Beethoven's Shift from Avoidance to Embrace of Possibilities
pp 123-147

7 - Beethoven at Heiligenstadt in 1802: Deconstruction, Integration, and Creativity
pp 148-160

8 - “Mit Verstärkung des Orchesters”: The Orchestra Personnel at the First Public Performance of Beethoven's Eroica
pp 161-202

Part Three - Masses
pp 203-204

9 - “Aber lieber Beethoven, was haben Sie denn wieder da gemacht?” Observations on the Performing Parts for the Premiere of Beethoven's Mass in C, Opus 86
pp 205-227

10 - Heart to Heart: Beethoven, Archduke Rudolph, and the Missa solemnis
pp 228-243

11 - God and the Voice of Beethoven
pp 244-258

Part Four - Quartets
pp 259-260

12 - “So Here I Am, in the Middle Way”: The Autograph of the “Harp” Quartet and the Expressive Domain of Beethoven’s Second Maturity
pp 261-273

13 - Meaningful Details: Expressive Markings in Beethoven Manuscripts, with a Focus on Opus 127
pp 274-331

14 - The Autograph Score of the Slow Movement of Beethoven’s Last Quartet, Opus 135
pp 332-354

15 - Early German-Language Reviews of Beethoven's Late String Quartets
pp 355-386

Part Five - Explorations
pp 387-388

16 - Three Movements or Four? The Scherzo Movements in Beethoven's Early Sonatas
pp 389-404

17 - Utopia and Dystopia Revisited: Contrasted Domains in Beethoven's Middle-Period F-Major and F-Minor Works
pp 405-436

18 - Schooling the Quintjäger
pp 437-447

Metrics

Full text views

Book summary page views

The New Beethoven

Evolution, Analysis, Interpretation

Book description

Refine List

Actions for selected content:

Save Search

Contents

Metrics

Full text views

Book summary page views