Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
  1. Home
  2. Books
  3. The Cambridge History of American Literature
  • Cited by 2
  • Volume 6: Prose Writing, 1910–1950
  • Edited by Sacvan Bercovitch, Harvard University, Massachusetts
Publisher:
Cambridge University Press
Online publication date:
March 2008
Print publication year:
2002
Online ISBN:
9781139053594
DOI:
https://doi.org/10.1017/CHOL9780521497312
Subjects:
Literature, Area Studies, American Literature, American Studies
Series:
The Cambridge History of American Literature
Collection:
Cambridge Histories - Literature
Information

Book description

Volume 6 of The Cambridge History of American Literature explores the emergence and flowering of modernism in the United States. David Minter provides a cultural history of the American novel from the 'lyric years' to World War I, through post-World War I disillusionment, to the consolidation of the Left in response to the mire of the Great Depression. Rafia Zafar tells the story of the Harlem Renaissance, detailing the artistic accomplishments of such diverse figures as Zora Neal Hurston, W. E. B. Du Bois, Langston Hughes, Nella Larsen, and Richard Wright. Werner Sollors examines canonical texts as well as popular magazines and hitherto unknown immigrant writing from the period. Taken together these narratives cover the entire range of literary prose written in the first half of the twentieth century, offering a model of literary history for our times, focusing as they do on the intricate interplay between text and context.

Reviews

'… this is, without doubt and without any serious rival, the scholarly history for our generation.'

Source: Journal of American Studies

‘… vast and eminently readable survey of twentieth century American literature …’.

Source: Use of English

Refine List

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Save to Kindle
  • Save to Dropbox
  • Save to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
Cancel
×

Contents

Page 3 of 3

Contents

Page 3 of 3

References
Bibliography
Aaron, Daniel.Men of Good Hope: A Story of American Progressives. New York: Oxford University Press, 1961.
Abrahams, Edward.The Lyrical Left: Randolph Bourne, Alfred Stieglitz, and the Origins of Cultural Radicalism in America. Charlottesville: University of Virginia Press, 1986.
Ahlstrom, Sydney.A Religious History of the American People. New Haven, CT: Yale University Press, 1972.
Anderson, Benedict.Imagined Communities: Reflections on the Origin and Spread of Nationalism. London: Verso, 1983.
Anderson, Quentin. The Imperial Self. New York: Knopf, 1971.
Baker, Houston A. Jr.Modernism and the Harlem Renaissance. University of Chicago Press, 1987.
Bakhtin, M. M.The Dialogic Imagination: Four Essays. Ed. Holquist, Michael; trans. Emerson, Caryl and , Michael Holquist. Austin: University of Texas Press, 1981.
Banta, Martha. Imaging American Women: Ideas and Ideals in Cultural History. New York: Columbia University Press, 1987.
Barr, Alfred H. Jr.Cubism and Abstract Art (1936). Repr., with an introd. by , Robert Rosenblum, Cambridge, MA: Harvard University Press, 1986.
Barrier, Michael.Hollywood Cartoons: American Animation in Its Golden Age. New York and Oxford: Oxford University Press, 1999.
Beach, Joseph Warren.American Fiction, 1920–1940. 1941. Repr. New York: Russell & Russell, 1960.
Bell, Bernard W.The Afro-American Novel and Its Traditions. Amherst: University of Massachusetts Press, 1987.
Benjamin, Walter. Illuminations. Ed. Arendt, Hannah; trans. Zohn, Harry. New York: Brace & World, 1968.
Benstock, Shari. Women of the Left Bank: Paris, 1900–1940. Austin: University of Texas Press, 1986.
Berman, Avis. Rebels on Eighth Street: Juliana Force and the Whitney Museum of American Art. New York: Atheneum, 1990.
Berman, Patricia Gray and Martin, Brody curators. Cold War Modern: The Domestic Avantgarde. Chandler Gallery, Wellesley College, September 15, 2000–June 17, 2001.
Berthoff, Warner. The Ferment of Realism: American Literature, 1884–1919. New York: Free Press, 1965.
Biennale, di Venezia La. La Biennale di Venezia: Le Esposizioni Internationali d’Arte 1895–1995. Venice: Electa, 1996.
Boelhower, William. Immigrant Autobiography in the United States (Four Versions of the Italian Self). Venice: Essedue, 1982.
Bone, Robert A.The Negro Novel in America. New Haven, CT: Yale University Press, 1958; rev. ed., 1965.
Bradbury, Malcolm. The Modern American Novel. New ed., New York: Viking, 1992.
Brinnin, John Malcolm. The Third Rose: Gertrude Stein and Her World. New York: Grove Press, 1959.
Browder, Laura. Slippery Characters: Ethnic Impersonators and American Identities. Chapel Hill and London: University of North Carolina Press, 2000.
Brown, Dee. The Gentle Tamers: Women and the Old Wild West. Lincoln, NE: Putnam, 1958.
Brüderlin, Markus. Ornament und Abstraktion. Kunst der Kulturen, Moderne und Gegenwart im Dialog. (Catalogue of an exhibition at Fondation Beyeler, Riechen, Switzerland). Cologne: DuMont, 2001.
Burke, Kenneth. The Philosophy of Aesthetic Form: Studies in Symbolic Action. Baton Rouge: Louisiana State University Press, 1941.
Cappetti, Carla. Writing Chicago: Modernism, Ethnography, and the Novel. New York: Columbia University Press, 1993.
Carby, Hazel. Reconstructing Womanhood: The Emergence of the Afro-American Woman Novelist. New York: Oxford University Press, 1987.
Cash, W. J.The Mind of the South {1941}. New York: Vintage Books, 1960.
Chametzky, Jules. Our Decentralized Literature: Cultural Mediations in Selected Jewish and Southern Writers. Amherst: University of Massachusetts Press, 1986.
Chipp, Herschel B., ed. Theories of Modern Art: A Source Book by Artists and Critics. Berkeley, Los Angeles, and London: University of California Press, 1968.
Christian, Barbara. Black Women Novelists: The Development of a Tradition, 1892–1976. Westport, CT: Greenwood Press, 1980.
Cohn, Jan. Creating America: George Horace Latimer and the Saturday Evening Post. University of Pittsburgh Press, 1989.
Conn, Peter. The Divided Mind: Ideology and Imagination in America, 1898–1917. Cambridge University Press, 1983.
Corn, Wanda M.The Great American Thing: Modern Art and National Identity, 1915–1935. Berkeley, Los Angeles, and London: University of California Press, 1999.
Cowley, Malcolm. Exile’s Return: A Literary Odyssey of the 1920s [1934]. New York: Viking Press, 1951.
Cunard, Nancy. ed. Negro Anthology, Made by Nancy Cunard, 1931–1933. London: Wishart & Co., 1934.
Das Cabinet des Dr. Caligari: Drehbuch von Carl Mayer und Hans Janowitz zu Robert Wiene’s Film von 1919/20. Introd. Prawer, Siegbert S.. Munich: Edition Text + Kritik, 1995.
Davis, Angela Y.Blues Legacies and Black Feminism: Gertrude “Ma” Rainey, Bessie Smith and Billie Holiday. New York: Pantheon Books, 1998.
Dearborn, Mary V.Pocahontas’s Daughters: Gender and Ethnicity in American Culture. New York: Oxford University Press, 1986.
Degler, Carl. Out of Our Past: The Forces That Shaped Modern America. New York: Harper, 1959.
Denning, Michael. The Cultural Front: The Laboring of American Culture in the Twentieth Century. London and New York: Verso, 1996.
Djupedal, Knut et al., eds. Novwegian-American Essays. Oslo: The Novwegian Emigrant Museum, 1993. (See especially solveig zempel, “Rølvaag as Translator: Translations of Rølvaag,” pp. 40–50).
Dolan, Marc. Modern Lives: A Cultural Re-reading of “The Lost Generation.”West Lafayette: Purdue University Press, 1996.
Douglas, Ann. Terrible Honesty: Mongrel Manhattan in the 1920s. New York: Farrar, Straus & Giroux, 1995.
duCille, Ann. The Coupling Convention: Sex, Text, and Tradition in Black Women’s Fiction. New York: Oxford University Press, 1993.
Farrell, James T.The League of Frightened Philistines and Other Papers. New York: Vanguard Press, n.d. [ca. 1945?].
Favor, J. Martin. Authentic Blackness: The Folk in the New Negro Renaissance. Durham, NC: Duke University Press, 1999.
Ferraro, Thomas J.Ethnic Passages: Literary Immigrants in Twentieth-Century America. Chicago and London: University of Chicago Press, 1993.
Fine, David M.The City, the Immigrant and American Fiction, 1880–1920. Metuchen, NJ, and London: Scarecrow Press, 1977.
Fussell, Paul. The Great War and Modern Memory. New York: Oxford University Press, 1975.
Gates, Henry Louis. Figures in Black: Words, Signs, and and the Radical Self. New York: Oxford University Press, 1987.
Geertz, Clifford. The Interpretation of Culture: Selected Essays. New York: Basic Books, 1973.
Gelfant, Blanche H., ed. The Columbia Companion to the Twentieth-Century American Short Story. New York: Columbia University Press, 2000.
Gilbert, Felix. The End of the European Era, 1890 to the Present. New York: W. W. Norton, 1970.
Gilmore, Michael T.Differences in the Dark: American Movies and English Theater. New York: Columbia University Press, 1998.
Greenberg, Clement. The Harold Letters. 1928–1943. Ed. Horne, Janice. Washington, DC: Counterpoint, 2000.
Griffin, Farah Jasmine. “Who Set You Flowin”: The African-American Migration Narrative. New York: Oxford University Press, 1995.
Handlin, Oscar. The Uprooted: The Epic Story of the Great Migrations That Made the American People. New York: Grosset & Dunlop, 1951.
Harrison, Daphne Duval. Black Pearls: Blues Queens of the 1920s. New Brunswick, NJ: Rutgers University Press, 1998.
Hathaway, Heather. Caribbean Waves: Relocating Claude McKay and Paule Marshall. Bloomington and Indianapolis: University of Indiana Press, 1999.
Heilbut, Anthony. Exile in Paradise: German Refugee Artists and Intellectuals in America from the 1930s to the Present. 2nd ed. , Berkeley, Los Angeles, and London: University of California Press, 1997.
Higham, John. Send These to Me: Immigrants in Urban America [1975]. Baltimore: Johns Hopkins University Press, 1984.
Hofstadter, Richard. The Age of Reform: From Bryan to FDR. New York: Knopf, 1955.
Howe, Irving. World of Our Fathers: The Journey of the East European Jews to America and the Life They Found and Made. New York: Harcourt, Brace, Jovanovich, 1976.
Huggins, Nathan Irvin. Harlem Renaissance: The Afro American Ordeal in Slavery. New York: Pantheon Books, 1977.
Hull, Gloria T.. Color, Sex, and Poetry: Three Women Writers of the Harlem Renaissance. Bloomington: Indiana University Press, 1987.
Hulten, Pontus. Futurismo and Futurismi. Milan: Bompiano, 1986.
Hutchinson, George. The Harlem Renaissance in Black and White. Cambridge, MA: Harvard University Press, 1995.
Ickringill, Steve, ed. Looking Inward, Looking Outward: From the 1930s through the 1940s. (European Contributions to American Studies.) Amsterdam: VU Press, 1990.
Ickstadt, Heinz, ed. The Thirties: Politics and Culture in a Time of Broken Dreams. (European Contributions to American Studies.) Amsterdam: VU Press, 1987.
Inglehart, Babette F. and Anthony, R. Mangione. The Image of Pluralism in American Literature: The American Experience of European Ethnic Groups. New York: The Institute on Pluralism and Group Identity of the American Jewish Committee, 1974.
Joachimides, Christos M. and Norman, Rosenthal, eds. American Art in the 20th Century. Munich: Prestel, 1993. Royal Academy of Arts and ZEITGEIST-Gesellschaft.
Johnson, Charles Spurgeon.Ebony and Ivory: A Collectanea, 1931. Reprint: Freeport, NY: Books for Libraries, 1971.
Kalaidjian, Walter.American Culture Between the Wars: Revisionary Modernism and Postmodern Critique. New York: Columbia University Press, 1993.
Kazin, Alfred.On Native Grounds: An Interpretation of Modern American Prose Literature. New York: Reynal & Hitchcock, 1942.
King, Richard.A Southern Renaissance: The Cultural Awakening of the American South, 1930–1955. New York: Oxford University Press, 1980.
Klein, Marcus.Foreigners: The Making of American Literature 1900–1940. Chicago and London: University of Chicago Press, 1981.
Knopf, Marcy.The Sleeper Wakes: Harlem Renaissance Stories by Women. New Brunswick, NJ: Rutgers University Press, 1993.
Kolodny, Annette.The Lay of the Land: Metaphor as Experience and History in American Life and Letters. Chapel Hill: University of North Carolina Press, 1975.
Kucklick, Bruce.The Rise of American Philosophy: Cambridge, Massachusetts, 1860–1930. New Haven, CT: Yale University Press, 1977.
Lears, Jackson.No Place of Grace: Antimodernism and the Transformation of American Culture, 1880–1920. New York: Pantheon, 1981.
Leuchtenberg, William E.The Perils of Prosperity, 1914–1932. Chicago University Press, 1958.
Levine, Lawrence.Black Culture and Black Consciousness: Afro-American Folk Thought from Slavery to Freedom. Oxford University Press, 1977.
Lewis, David Levering.When Harlem Was in Vogue. New York: Oxford University Press, 1979.
Lott, Eric.Love and Theft: Blackface Minstrelsy and the American Working Class. New York and Oxford: Oxford University Press, 1993.
Ludington, Townsend, ed. A Modern Mosaic: Art and Modernism in the United States. Chapel Hill and London: University of North Carolina Press, 2000.
Lukács, Georg.The Theory of the Novel: A Historico-Philosophical Essay on the Forms of Great Epic Literature. Trans. Bostock., AnnaCambridge, MA: Harvard University Press, 1971.
Lynn, Kenneth S.The Dream of Success: A Study of Modern American Imagination. Boston: Little, Brown, 1955.
MacShane, Frank, ed. The Notebooks of Raymond Chandler and English Summer: A Gothic Romance. New York: Ecco Press, 1976.
Mangione, Jerre and Ben, Morreale.La Storia: Five Centuries of the Italian American Experience. New York: HarperCollins, 1992.
May, Henry F.The End of American Innocence: A Study of the First Years of Our Time, 1912–1917. New York: Oxford University Press, 1979.
Melnick, Jeff.A Right to Sing the Blues: African Americans, Jews, and American Popular Song. Cambridge, MA: Harvard University Press, 1999.
Mencken, H. L.The American Language. New York: A. A. Knopf, 1919 (and supplements).
Middleton, William D.The Time of the Trolley. Milwaukee: Kalmbach Publishing, 1967.
Mishkin, Tracy. The Harlem and Irish Renaissances: Language, Identity, and Representation. Gainesville: University Press of Florida, 1998.
Morrison, Toni. Playing in the Dark: Whiteness and the Literary Imagination. Cambridge, MA and London: Harvard University Press, 1992.
Mumford, Kevin. Interzones: Black/White Sex Districts in Chicago and New York in the Early Twentieth Century. New York: Columbia University Press, 1997.
Noble, David. America by Design: Science, Technology, and the Rise of Corporate Capitalism. New York: Knopf, 1977.
North, Michael. The Dialect of Modernism: Race, Language, and Twentieth-Century Literature. New York: Oxford University Press, 1994.
Nyman, Jopi. Men Alone: Masculinity, Individualism, and Hard-Boiled Fiction. Amsterdam: Rodopi, 1997.
O’Meally, Robert and Fabre, Genevieve, eds. History and Memory in African American Culture. New York: Oxford University Press, 1994.
Øverland, Orm. Immigrant Minds, American Identities: Making the United States Home, 1870–1930. Urbana and Chicago: University of Illinois Press, 2000.
Owens, Louis. Other Destinies: Understanding the American Indian Novel. Norman and London: University of Oklahoma Press, 1992.
Pattee, Fred Lewis. The New American Literature, 1890–1930. New York and London: The Century Co., 1930.
Peretti, Burton W.The Creation of Jazz: Music, Race, and Culture in Urban America. Urbana and Chicago: University of Illinois Press, 1992.
Poirier, Richard. A World Elsewhere: The Place of Style in American Literature. New York: Oxford University Press, 1966.
Radway, Janice A.A Reading of the Romance: Women, Patriarchy, and Popular Literature. Chapel Hill: University of North Carolina Press, 1984.
Rideout, Walter. The Radical Novel in the United States, 1900–1954. Cambridge, MA: Harvard University Press, 1956.
Rosenberg, Harold. The Tradition of the New. {1959} New York and Toronto: McGraw-Hill, 1965.
Ryland, Philip and Enzo Di, Martino. Flying the Flag for Art: The United States and the Venice Biennale, 1895–1991. Richmond, VA: Wyldbore and Wolferstan, 1993.
Saunders, Frances Stonor. The Cultural Cold War: The CIA and the World of Arts and Letters. New York: New Press, 1999.
Silva, Umberto. Ideologia e arte del fascismo. Milan: Mazzotta, 1977.
Slotkin, Richard. The Fatal Environment: The Myth of the Frontier in the Age of Industrialization. Middletown, CT: Wesleyan University Press, 1985.
Smith, Henry Nash. Virgin Land: The American West as Symbol and Myth. Cambridge, MA: Harvard University Press, 1950.
Sollors, Werner. Beyond Ethnicity: Consent and Descent in American Culture. New York: Oxford University Press, 1986.
Starr, S. Frederick. Red and Hot: The Fate of Jazz in the Soviet Union, 1917–1980. New York and Oxford: Oxford University Press, 1983.
Steinberg, Salme Harju. Reformer in the Marketplace: Edward W. Bok and The Ladies’s Home Journal. Baton Rouge and London: Louisiana State University Press, 1979.
Stepto, Robert B.From Behind the Veil: A Study of Afro-American Narrative. Urbana: University of Illinois Press, 1979.
Taylor, William R.In Pursuit of Gotham: Culture and Commerce in New York. New York: Oxford University Press, 1992.
Tedeschini Lalli, Biancamaria and Maurizio, Vaudagna, eds. Brave New Worlds: Strategies of Language and Communication in the United States of the 1930s. Amsterdam: VU University Press, 1999.
Terkel, Studs. Hard Times: An Oral History of the Great Depression. New York: Pantheon, 1970.
Todorov, Tzvetan. The Conquest of America: The Question of the Other. Trans. Howard, Richard. New York: Harper & Row, 1984.
Trachtenberg, Alan. The Incorporation of America: Culture and Society. New York: Hill & Wang, 1982.
Trilling, Lionel. The Liberal Imagination: Essays on Literature and Society. New York: Viking Press, 1950.
Turner, Victor. Dramas, Fields, and Metaphors: Symbolic Action in Human Society. Ithaca, NY: Cornell University Press, 1974.
Ueda, Reed. Postwar Immigrant America: A Social History. Boston and New York: Bedford Books of St. Martin’s Press, 1994.
Van Doren, Carl. The American Novel 1789–1939. New York: Macmillan, 1940.
Wald, Priscilla. Constituting Americans: Cultural Anxiety and Narrative Form. Durham, NC and London: Duke University Press, 1995.
Wall, Cheryl. Women of the Harlem Renaissance. Bloomington: Indiana University Press, 1995.
Wecter, Dixon. The Age of the Great Depression: 1929–1941. New York: Macmillan, 1948.
Weiss, M. Lynn. Gertrude Stein and Richard Wright: The Poetics and Politics of Modernism. Jackson: University of Mississippi Press, 1998.
Weston, Richard. Modernism. London: Phaidon Press, 1996.
White, Newman I.American Negro Folk-Songs. Cambridge, MA: Harvard University Press, 1928.
Williams, Raymond. Culture and Society. London: Chatto & Windus, 1958.
Wintz, Cary D.Black Culture and the Harlem Renaissance. Houston: Rice University Press, 1988.
Wirth-Nesher, Hana.City Codes: Reading the Modern Urban Novel. New York and Cambridge: Cambridge University Press, 1996.
Wolff, Edward N.Top Heavy: A Study of the Increasing Inequality of Wealth in America. New York: Twentieth Century Fund, 1995.
Woodcock, George.20th Century Fiction. Basingstoke and London: Macmillan, 1983.
Wyatt-Brown, Bertram.Southern Honor: Ethics and Behavior in the Old South. New York: Oxford University Press, 1982.
Yin, Xiao-huang.Chinese American Literature since the 1850s. Urbana: University of Illinois Press, 2000.
Zwerin, Mike.La Tristesse de Saint Louis: Swing under the Nazis. London: Quartet Books, 1985.

Metrics

Altmetric attention score

Full text views

Total number of HTML views: 0
Total number of PDF views: 0 *
Loading metrics...

Book summary page views

Total views: 0 *
Loading metrics...

* Views captured on Cambridge Core between #date#. This data will be updated every 24 hours.

Usage data cannot currently be displayed.