Book contents
- Frontmatter
- Dedication
- Contents
- List of Illustrations
- Preface and Acknowledgements
- Notes on Contributors
- Introduction
- The Curious Production and Reconstruction of Oxford, Bodleian Library, Junius 85 and 86
- ‘Through a glass darkly’, or, Rethinking Medieval Materiality: A Tale of Carpets, Screens and Parchment
- Distortion, Ideology, Time: Proletarian Aesthetics in the Work of Lionel Britton
- Shakespeare and Korea: Mutual Remappings
- Dictionary Distortions
- Where Do Indigenous Origin Stories and Empowered Objects Fit into a Literary History of the American Continent?
- Distortion in Textual Object Facsimile Production: A Liability or an Asset?
- The Uncanny Reformation: Revenant Texts and Distorted Time in Henrician England
- The Presence of the Book
- Index
Notes on Contributors
Published online by Cambridge University Press: 24 August 2019
Book contents
- Frontmatter
- Dedication
- Contents
- List of Illustrations
- Preface and Acknowledgements
- Notes on Contributors
- Introduction
- The Curious Production and Reconstruction of Oxford, Bodleian Library, Junius 85 and 86
- ‘Through a glass darkly’, or, Rethinking Medieval Materiality: A Tale of Carpets, Screens and Parchment
- Distortion, Ideology, Time: Proletarian Aesthetics in the Work of Lionel Britton
- Shakespeare and Korea: Mutual Remappings
- Dictionary Distortions
- Where Do Indigenous Origin Stories and Empowered Objects Fit into a Literary History of the American Continent?
- Distortion in Textual Object Facsimile Production: A Liability or an Asset?
- The Uncanny Reformation: Revenant Texts and Distorted Time in Henrician England
- The Presence of the Book
- Index
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- Textual Distortion , pp. xi - xivPublisher: Boydell & BrewerPrint publication year: 2017