Book contents
- Frontmatter
- Contents
- Acknowledgements
- Foreword
- Introduction
- The James MacTaggart Lectures
- TV Drama: The Case against Naturalism
- Naturalism and Television
- Taboos in Television
- Signposting Television in the 1980s: The Fourth Television Channel
- Television Drama, Censorship and the Truth
- The Day after Tomorrow: The Future of Electronic Publishing
- The Primacy of Programmes in the Future of Broadcasting
- Reflections on Working in Film and Television
- ‘Opening up the Fourth Front’: Micro Drama and the Rejection of Naturalism
- Power and Pluralism in Broadcasting
- Ethics, Broadcasting and Change: The French Experience
- Freedom in Broadcasting
- Deregulation and Quality Television
- The Future of Television: Market Forces and Social Values
- The Future of the BBC
- Occupying Powers
- A Culture of Dependency: Power, Politics and Broadcasters
- Talent versus Television
- A Glorious Future: Quality Broadcasting in the Digital Age
- Rewarding Creative Talent: The Struggle of the Independents
- Television versus the People
- Public-Interest Broadcasting: A New Approach
- A Time for Change
- The Soul of British Television
- Television's Creative Deficit
- Freedom of Choice: Public-Service Broadcasting and the BBC
- First Do No Harm
- Appendix A Edinburgh International Television Festival, 29 August–2 September 1977: Programme
- Appendix B Précis of Ted Turner, James MacTaggart Lecture 1982; Dr Jonathan Miller, James MacTaggart Lecture 1983
- Index
The Primacy of Programmes in the Future of Broadcasting
from The James MacTaggart Lectures
Published online by Cambridge University Press: 05 August 2013
- Frontmatter
- Contents
- Acknowledgements
- Foreword
- Introduction
- The James MacTaggart Lectures
- TV Drama: The Case against Naturalism
- Naturalism and Television
- Taboos in Television
- Signposting Television in the 1980s: The Fourth Television Channel
- Television Drama, Censorship and the Truth
- The Day after Tomorrow: The Future of Electronic Publishing
- The Primacy of Programmes in the Future of Broadcasting
- Reflections on Working in Film and Television
- ‘Opening up the Fourth Front’: Micro Drama and the Rejection of Naturalism
- Power and Pluralism in Broadcasting
- Ethics, Broadcasting and Change: The French Experience
- Freedom in Broadcasting
- Deregulation and Quality Television
- The Future of Television: Market Forces and Social Values
- The Future of the BBC
- Occupying Powers
- A Culture of Dependency: Power, Politics and Broadcasters
- Talent versus Television
- A Glorious Future: Quality Broadcasting in the Digital Age
- Rewarding Creative Talent: The Struggle of the Independents
- Television versus the People
- Public-Interest Broadcasting: A New Approach
- A Time for Change
- The Soul of British Television
- Television's Creative Deficit
- Freedom of Choice: Public-Service Broadcasting and the BBC
- First Do No Harm
- Appendix A Edinburgh International Television Festival, 29 August–2 September 1977: Programme
- Appendix B Précis of Ted Turner, James MacTaggart Lecture 1982; Dr Jonathan Miller, James MacTaggart Lecture 1983
- Index
Summary
Denis Forman argues that while technology has created the new broadcast delivery systems of cable and satellite, these developments are unimportant compared to the quality of the programming which they deliver. It is time we ‘directed our attention not so much to the messenger as to the message’. It is crucial to persuade politicians, with their privatising ambitions and monetarist policies that ‘the true value of our business lies in our programmes’.
The collapse of the plan to cable Britain offers testament to this view: ‘not many people are willing to pay … for a service that … is made up of the cheapest television programmes’. Direct broadcasting by satellite (DBS) will eventully be a success, but the rate of penetration will be slow until ‘you decide on the programme policy’.
Consequently, the future of broadcasting seems to rest ‘in the hands of the duopoly’. But there are problems here: sins both of commission and omission. First, senior managers seem more concerned with profits above programming, but ‘efficiency is the enemy of originality’. Second, idolatry and the worship of false gods such as ratings. Third, the sins of omission exemplified by timidity and cautiousness in programme-making. Finally, the failure to confront government challenges to freedom of expression such as the Official Secrets Act, as well as governments’ increasing commitments to news management.
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- Chapter
- Information
- Television PolicyThe MacTaggart Lectures, pp. 89 - 96Publisher: Edinburgh University PressPrint publication year: 2005