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7 - An essay on the theory of painting (1725)

Published online by Cambridge University Press:  05 June 2012

Peter de Bolla
Affiliation:
University of Cambridge
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Summary

Of the sublime

…By the sublime in general I mean the most excellent of what is excellent, as the excellent is the best of what is good. The dignity of a man consists chiefly in his capacity of thinking, and of communicating his ideas to another; the greatest, and most noble thoughts, images, or sentiments, conveyed to us in the best chosen words, I take therefore to be the perfect sublime in writing; the admirable, the marvellous.

But as there may be degrees even in the sublime, something short of the utmost may be also sublime.

Thought, and language are two distinct excellencies: there are few that are capable of adding dignity to a great subject, or even of doing right to such a one; in some cases none: the bulk of mankind conceive not greatly, nor do they know how to utter the conceptions they have to the best advantage; and those that have higher capacities exert them but rarely, and on few occasions: hence it is that we so justly admire what is so excellent, and so uncommon.

The great manner of thinking (as thought in general) is either pure invention, or what arises upon hints suggested from without.…

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The Sublime
A Reader in British Eighteenth-Century Aesthetic Theory
, pp. 45 - 48
Publisher: Cambridge University Press
Print publication year: 1996

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