Book contents
- Frontmatter
- Contents
- List of Contributors
- Introduction
- 1 Voicing Time: The Temporal Textures of Garcilaso de la Vega
- 2 Luis de León and the Moriscos: A Close Reading of Ode XXII (La cana y alta cumbre)
- 3 Conde de Salinas: poesías atribuidas o disputadas
- 4 Horacio en Quevedo: principios retóricos del arte de la imitación
- 5 El nuevo Olimpo de Gabriel Bocángel en Aragón
- 6 Imaging Women: The Portrait Poems of Catalina Clara Ramírez de Guzmán
- 7 La sublimidad del Septentrión: paisajes de la poesía romántica española
- 8 Antonio Machado as Cynic: ‘Fantasía de una noche de abril’ as Pastiche of Espronceda
- 9 Hamlet Without the Prince: Denunciation and Surveillance in Vicent Andrés Estellés's Testimoni d'Horaci
- 10 Poetry and Crisis in Spain after 2008
- 11 Contexto, texto e intertexto en Cuaderno de vacaciones (2014), de Luis Alberto de Cuenca
- 12 La lírica en los tiempos del neoliberalismo: reflexiones sobre Balada en la muerte de la poesía, de Luis García Montero
- Appendix: The Publications of Trevor J. Dadson
- Bibliography
- Index
6 - Imaging Women: The Portrait Poems of Catalina Clara Ramírez de Guzmán
Published online by Cambridge University Press: 29 March 2020
- Frontmatter
- Contents
- List of Contributors
- Introduction
- 1 Voicing Time: The Temporal Textures of Garcilaso de la Vega
- 2 Luis de León and the Moriscos: A Close Reading of Ode XXII (La cana y alta cumbre)
- 3 Conde de Salinas: poesías atribuidas o disputadas
- 4 Horacio en Quevedo: principios retóricos del arte de la imitación
- 5 El nuevo Olimpo de Gabriel Bocángel en Aragón
- 6 Imaging Women: The Portrait Poems of Catalina Clara Ramírez de Guzmán
- 7 La sublimidad del Septentrión: paisajes de la poesía romántica española
- 8 Antonio Machado as Cynic: ‘Fantasía de una noche de abril’ as Pastiche of Espronceda
- 9 Hamlet Without the Prince: Denunciation and Surveillance in Vicent Andrés Estellés's Testimoni d'Horaci
- 10 Poetry and Crisis in Spain after 2008
- 11 Contexto, texto e intertexto en Cuaderno de vacaciones (2014), de Luis Alberto de Cuenca
- 12 La lírica en los tiempos del neoliberalismo: reflexiones sobre Balada en la muerte de la poesía, de Luis García Montero
- Appendix: The Publications of Trevor J. Dadson
- Bibliography
- Index
Summary
To Trevor, intrepid researcher and discoverer of
Leonor Pimentel's poetry, with admiration.
The recent research on Spanish women writers has revived interest in several poets whose works, until recently, have remained unknown, such as Leonor de Pimentel, newly discovered by Trevor Dadson when, in search of the poetry of Diego de Silva y Mendoza, Count of Salinas, he came across the count's young lover's witty responses to his ‘motes’ and other poems with rhymes of her own. Although edited in the early twentieth century, the works of another woman poet, Catalina Clara Ramírez de Guzmán, born in 1618 in Llerena (Extremadura), have been forgotten for almost a century. Her poetry was first collected in two Spanish manuscripts and published in 1929 by Joaquín de Entrambasaguas. The most recent and much improved edition, dated 2010, is by Aránzazu Borrachero Mendíbil and by Karl McLaughlin, a student of Trevor Dadson, who began his research on Ramírez de Guzmán under Dadson's guidance.
As is the case for most women writers of early modern Spain, little is known about Ramírez de Guzmán, although Borrachero Mendíbil and McLaughlin summarise what has been discovered about her family in the Llerena town archives. Catalina Clara's roots in the town hark back at least to her maternal grandparents, since her grandfather, a member of the lower nobility, held numerous administrative positions there. Her paternal grandfather, related to the influential Ramírez de Prado family, would also gain social and political prestige. Catalina Clara's widowed grandmother was known for her business acumen, as she owned a mill and other houses in the town of Fuente de Cantos that she rented to local farmers; she also founded a chapel in the local church and donated considerable sums to the convents where her daughters professed. Far less is known about Catalina Clara's mother, Isabel Sebastiana de Guzmán, save that she gave birth to eleven children, six of whom survived. We know much more about her father: he held numerous important posts in Llerena, and travelled frequently to Madrid in order to defend the town's interest at court. As an important government figure, including that of the town's regidor, he maintained cordial relations with Llerena's most influential townspeople. Yet he also fought numerous skirmishes with local adversaries, which, when two of his sons applied for positions with the Inquisition, led to the unproven accusation against the family of being Jewish conversos.
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- Information
- Studies on Spanish Poetry in Honour of Trevor J. DadsonEntre los Siglos de Oro y el siglo XXI, pp. 101 - 116Publisher: Boydell & BrewerPrint publication year: 2019