Book contents
- The New Cambridge Shakespeare
- The New Cambridge Shakespeare
- The Sonnets
- Copyright page
- Contents
- Illustrations
- Preface
- Abbreviations and Conventions
- Introduction
- Note on the text
- The Sonnets
- The Commentary
- Textual analysis
- Appendix: Manuscript copies of the sonnets
- Reading list
- Index of first lines
- References
Reading list
Published online by Cambridge University Press: 02 August 2019
Book contents
- The New Cambridge Shakespeare
- The New Cambridge Shakespeare
- The Sonnets
- Copyright page
- Contents
- Illustrations
- Preface
- Abbreviations and Conventions
- Introduction
- Note on the text
- The Sonnets
- The Commentary
- Textual analysis
- Appendix: Manuscript copies of the sonnets
- Reading list
- Index of first lines
- References
- Type
- Chapter
- Information
- The Sonnets , pp. 272 - 273Publisher: Cambridge University PressPrint publication year: 2006
References
Bate, Jonathan. ‘Ovid and the Sonnets; or, did Shakespeare feel the anxiety of influence?’, S.Sur. 42 (1989), 65–76Google Scholar
Crosman, Robert. ‘Making love out of nothing at all: the issue of Story in Shakespeare’s Procreation Sonnets’, SQ 41 (1990), 470–88Google Scholar
Cruttwell, Patrick. The Shakespearean Moment and Its Place in the Poetry of the Seventeenth Century, 1955Google Scholar
Donow, H. S. A Concordance to the Sonnet Sequences of Daniel, Drayton, Shakespeare, Sidney, and Spenser, 1969Google Scholar
Donow, H. S. The Sonnet in England and America: A Bibliography of Criticism, 1982 (contains an index to criticism on each of Shakespeare’s Sonnets)Google Scholar
Duncan-Jones, Katherine. ‘Was the 1609 Shake-speares Sonnets really unauthorized?’, RES, ns, 34 (1983), 151–71Google Scholar
Ferry, Anne. All in War with Time: Love Poetry of Shakespeare, Donne, Jonson, Marvell, 1975Google Scholar
Ferry, Anne. The ‘Inward’ Language: Sonnets of Wyatt, Sidney, Shakespeare, Donne, 1983Google Scholar
Fineman, J. Shakespeare’s Perjured Eye: The Invention of Poetic Subjectivity in the Sonnets, 1987Google Scholar
Garber, Marjorie. Vice Versa: Bisexuality and the Eroticism of Everyday Life, 1995 (see pp. 505–20)Google Scholar
Hubler, Edward, Frye, Northrop, Fiedler, L. A., Spender, Stephen, and Blackmur, R. P.. The Riddle of Shakespeare’s Sonnets, 1962Google Scholar
Jackson, MacD. P. ‘Punctuation and the compositors of Shakespeare’s Sonnets, 1609’, The Library, fifth ser., 30 (1975), 1–24CrossRefGoogle Scholar
Jakobson, Roman, and Jones, Lawrence. Shakespeare’s Verbal Art in ‘Th’Expense of Spirit’, 1970Google Scholar
John, L. C. The Elizabethan Sonnet Sequences: Studies in Conventional Conceits, 1938 (contains a useful ‘Table of Conceits’ that lists wherever such conventional conceits occur in all the English sonnet sequences)Google Scholar
Klause, John. ‘Shakespeare’s Sonnets: age in love and the goring of thoughts’, SP 80 (1983), 300–24Google Scholar
Knight, G. W. The Mutual Flame: On Shakespeare’s Sonnets and ‘The Phoenix and the Turtle’, 1955Google Scholar
Krieger, Murray. A Window to Criticism: Shakespeare’s Sonnets and Modern Poetics, 1964CrossRefGoogle Scholar
Melchiori, Giorgio. Shakespeare’s Dramatic Meditations: An Experiment in Criticism, 1976Google Scholar
Schaar, Claes. An Elizabethan Sonnet Problem: Shakespeare’s ‘Sonnets’, Daniel’s ‘Dalia’, and Their Literacy Background, 1960Google Scholar
Shakespeare Survey 15, 1962 (devoted largely to Shakespeare’s songs, sonnets, and other poems)Google Scholar
Shakespeare’s Poems (A Facsimile of the Earliest Editions), ed. Osborn, J. M., Martz, L. L., and Waith, E. M., 1964Google Scholar
Vendler, Helen. ‘Reading, stage by stage: Shakespeare’s Sonnets’, in Shakespeare Reread, ed. McDonald, Russ, 1994, pp. 23–41Google Scholar
Warren, Roger. ‘Why does it end well? Helena, Bertram, and the Sonnets’, S.Sur. 22 (1969), 79–92Google Scholar
Wilson, J. Dover. Shakespeare’s Sonnets: An Introduction for Historians and Others, 1963Google Scholar