Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-s2hrs Total loading time: 0 Render date: 2024-11-19T03:24:56.970Z Has data issue: false hasContentIssue false

6 - The Grand Council of Agramante di Biserta (sera 170)

Published online by Cambridge University Press:  28 February 2024

Jo Ann Cavallo
Affiliation:
Columbia University, New York
Get access

Summary

Introduction

In Book One of the Orlando Innamorato, King Galafone of Cathay sent his daughter Angelica to Paris in a scheme to capture the international array of knights gathered at Carlo's court, King Gradasso of Sericana crossed the globe in order to attain a famous horse and sword, and King Agricane of Tartaria waged a large-scale war back in Cathay to possess none other than Angelica. As we have seen in the previous chapters, all three undertakings ended in failure. At the opening canto of Book Two, King Agramante of Biserta (Bizerte, in today's Tunisia) has a more grandiose and openly territorial goal: the conquest of Carlo's entire Frankish realm. Yet no earthly kingdom can contain his ambition since he boasts that after subjugating France he intends to assault the heavens themselves (OI 2.1.64). His ally Rodamonte, king of Sarza (Chercel, in today's Algeria), aims to surpass him in his vertical extension, declaring that he is ready to follow—or lead—Agramante equally into the heavens or the inferno (OI 2.1.65). Agramante's most trusted advisors, however, are against such a foolhardy undertaking, thus setting the stage for a heated debate at the pan-African council held in Biserta.

As this impending threat to Carlo's realm arises from the south, newsworthy occurrences continue in various other regions of the globe. Agricane's son Mandricardo leaves Tartaria to invade Circassia (Caucasia), where he will wreak havoc in the region in the absence of its ruler Sacripante who is off fighting in Cathay on behalf of Angelica. The war in Albraca, in fact, rages on despite Agricane's death as though it had taken on a life of its own. Orlando is absent, however, because Angelica has sent him to the fairy Falerina's enchanted garden in Orgagna in order to prevent him from killing the recently arrived Ranaldo. Along the way, Orlando meets an even more deceitful damsel, named Origille, who beguiles him. If earlier Orlando's subjection to Dragontina was the result of a magic beverage, the paladin has no such excuse when he is smitten with the perfidious but fully human Origille and (temporarily, at least) forgets all about Angelica.

Type
Chapter
Information
The Sicilian Puppet Theater of Agrippino Manteo (1884-1947)
The Paladins of France in America
, pp. 131 - 146
Publisher: Anthem Press
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×