Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-fbnjt Total loading time: 0 Render date: 2024-11-05T06:18:00.400Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

2 - ‘[T]he fire is grown too hot!’: Romeo and Juliet and the Dog Days

Sophie Chiari
Affiliation:
Clermont Auvergne University, France
Get access

Summary

These violent delights have violent ends

And in their triumph die like fi re and powder,

Which as they kiss consume. (2.5.9–11)

In A Midsummer Night's Dream, the playwright blatantly questions the traditional ideas about climate by showing how free will and ill omens may sometimes combine and how far humankind may be blamed for the various climatic disasters plaguing the lives of peasants as well as of the population as a whole. Romeo and Juliet, often considered as the Dream's companion piece, develops its own approach to climate, one that incorporates traditional calendar references as well as astrological beliefs. As Carla Mazzio puts it, ‘[i]t is fascinating to reflect upon Romeo and Juliet […] as a crushing tragedy of astrological determinism at a time in England when predictive astrology was being seriously challenged if not denounced outright.’ That the play lends itself to such astrological readings seems confirmed by Paris's remark that ‘Venus smiles not in a house of tears’ (4.1.8), a phrase which alludes both to his ill-timed marriage with Juliet and to the particular influence of the planet Venus in the zodiac. This does say something about the pre-eminence of the ‘fated sky’ in Shakespeare's first love tragedy, all the more so as the line comes after Romeo's passionate speech about Juliet's eyes, which he compares to ‘[t]wo of the fairest stars in all the heaven’ (2.1.57).

The astrological and climatic determinism of the play works in such a way that its various incidents first seem to take place on a vast celestial stage before they even unfold on the earth. Consequently, Juliet's life is as dependent on Verona's ‘fated sky’ as it is on the calendar of its earthly events. If we accept the idea that the seasons are the ‘climatic presentation of the passage of time’, the month of July here takes on a particular significance through images that associate July with Juliet and underline the stifling summer heat which paralyses the city of Verona. Shakespeare's plot emphasises courte durée in opposition to the longue durée prevailing in late romances like The Winter's Tale, so that, in this early tragedy, summer appears as a climactic time of the year.

Type
Chapter
Information
Shakespeare's Representation of Weather, Climate and Environment
The Early Modern ‘Fated Sky’
, pp. 57 - 79
Publisher: Edinburgh University Press
Print publication year: 2017

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×