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Published online by Cambridge University Press: 07 May 2020
The introduction explains why the topic of this book is timely, how other scholars have started to investigate the materiality and the modulations of the voice as a process through which national, regional, social and personal identities are constantly (re)constituted. The introduction also explains the need to reconstruct past attitudes to national, regional and class accents in Shakespearean performance in order to gain a historical perspective and a better grasps of the politics that inform the production and reception of marked, or inflected, voices in Shakespeare in contemporary performance.
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