Book contents
- Frontmatter
- Shakespeare Translation as Cultural Exchange
- Shakespeare, Theatre Production, and Cultural Politics
- ‘Amphitheaters in the Body’: Playing with Hands on the Shakespearian Stage
- ‘Shakespur and the Jewbill’
- Wilhelm S and Shylock
- Pilgrims of Grace: Henry IV Historicized
- Holy war in Henry V
- Hamlet and the Anxiety of Modern Japan
- Hamlet’s Last Words
- Venetian Culture and the Politics of Othello
- ‘My Music for Nothing’: Musical Negotiations in The Tempest
- The Tempest and Cultural Exchange
- Caliban and Ariel Write Back
- Shakespearian Rates of Exchange in Czechoslovakia 1945–1989
- ‘Are you a Party in this Business?’ Consolidation and Subversion in East German Shakespeare Productions
- The Martyred Knights of Georgian Shakespeariana
- Shakespeare Performances in England, 1993–1994
- Professional Shakespeare Productions in the British Isles, January – December 1993
- 1 Critical Studies
- 2 Shakespeare’s Life, Times, and Stage
- 3 Editions and Textual Studies
- Books Received
- Index
Professional Shakespeare Productions in the British Isles, January – December 1993
Published online by Cambridge University Press: 28 March 2007
- Frontmatter
- Shakespeare Translation as Cultural Exchange
- Shakespeare, Theatre Production, and Cultural Politics
- ‘Amphitheaters in the Body’: Playing with Hands on the Shakespearian Stage
- ‘Shakespur and the Jewbill’
- Wilhelm S and Shylock
- Pilgrims of Grace: Henry IV Historicized
- Holy war in Henry V
- Hamlet and the Anxiety of Modern Japan
- Hamlet’s Last Words
- Venetian Culture and the Politics of Othello
- ‘My Music for Nothing’: Musical Negotiations in The Tempest
- The Tempest and Cultural Exchange
- Caliban and Ariel Write Back
- Shakespearian Rates of Exchange in Czechoslovakia 1945–1989
- ‘Are you a Party in this Business?’ Consolidation and Subversion in East German Shakespeare Productions
- The Martyred Knights of Georgian Shakespeariana
- Shakespeare Performances in England, 1993–1994
- Professional Shakespeare Productions in the British Isles, January – December 1993
- 1 Critical Studies
- 2 Shakespeare’s Life, Times, and Stage
- 3 Editions and Textual Studies
- Books Received
- Index
Summary
Most of the productions listed are by professional companies, but a number of productions with mixed amateur and professional casts have been included. It is interesting to note the increasing number of such productions, and the rise in the number of small professional touring companies. Information is mainly taken from newspaper reviews held in the Birmingham Shakespeare Library.
ALL'S WELL THAT ENDS WELL
Emlyn Williams Theatre, Clwyd and tour of Wales: January 1993—
Director: Helena Kaut Howson
Designer: Paul Andrew
Helena: Mari Rowland Hughes
Set in a hi-tech modern environment.
The RSC at the Theatre Royal, Newcastle: March 1993—
See Shakespeare Survey 47.
The Festival Players Theatre Company, tour: July 1993—
Director: Trish Knight-Webb.
ANTONY AND CLEOPATRA
The RSC at the Theatre Royal, Newcastle, and the Barbican Theatre, London: May 1993—
See Shakespeare Survey 47.
New Triad Theatre Company, The Village Theatre, London: October 1993—
Director: John Strehlow
Set in the 1980s.
Adaptations
Cleopatra, a ballet Millfield Theatre, Edmonton Green: September 1993
Choreographer: Richard Slaughter
Cleopatra: Ursula Hagel
Set to music by Rachmaninov and Luigini.
Based on Shakespeare, Shaw and the Elizabeth Taylor and Vivien Leigh film portrayals of Cleopatra, the ballet explored the clash of cultures. World première.
AS YOU LIKE IT
The Rose Theatre Company, Sussex, Brighton Pavilion Theatre and tour of Britain and Europe: February 1993-
D.P. Productions, tour: April 1993—
Director: Ian Dickens
The RSC at the Theatre Royal, Newcastle and the Barbican Theatre, London: April 1993-
See Shakespeare Survey 47.
Deal Fringe Festival: July 1993—
Director: George MacGregor
A mixed amateur and professional cast.
Illyria (London) tour of open air sites: July 1993—
Illyria is a new touring company.
- Type
- Chapter
- Information
- Shakespeare Survey , pp. 227 - 238Publisher: Cambridge University PressPrint publication year: 1996