Book contents
- Frontmatter
- Shakespeare's History plays: 1900-1951
- The Unity of 2 Henry IV
- Anticipation and Foreboding in Shakespeare’s Early Histories
- Middle-Class Attitudes in Shakespeare’s Histories
- A Reconsideration of Edward III
- On Producing Henry VI
- The Huntington Library
- An Early Elizabethan Playhouse
- Shakespeare Learns the Value of Money: The Dramatist at Work on Timon of Athens
- Shakespeare’s French Fruits
- An Elizabethan Eyewitness of Antony and Cleopatra?
- Othello’s “It is the cause . . .”: An Analysis
- On Translating Hamlet
- Shakespeare in China
- International Notes
- Shakespeare Productions in the United Kingdom: 1951
- Shakespeare’s History Plays - Epic or Drama?
- Festival Shakespeare in the West End
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Textual Studies
- Books Received
- Index
- Plate Section
International Notes
Published online by Cambridge University Press: 28 March 2007
- Frontmatter
- Shakespeare's History plays: 1900-1951
- The Unity of 2 Henry IV
- Anticipation and Foreboding in Shakespeare’s Early Histories
- Middle-Class Attitudes in Shakespeare’s Histories
- A Reconsideration of Edward III
- On Producing Henry VI
- The Huntington Library
- An Early Elizabethan Playhouse
- Shakespeare Learns the Value of Money: The Dramatist at Work on Timon of Athens
- Shakespeare’s French Fruits
- An Elizabethan Eyewitness of Antony and Cleopatra?
- Othello’s “It is the cause . . .”: An Analysis
- On Translating Hamlet
- Shakespeare in China
- International Notes
- Shakespeare Productions in the United Kingdom: 1951
- Shakespeare’s History Plays - Epic or Drama?
- Festival Shakespeare in the West End
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Textual Studies
- Books Received
- Index
- Plate Section
Summary
A selection has here been made from the reports received from our correspondents, those which present material of a particularly interesting kind being printed wholly or largely in their entirety. It should be emphasized that the choice of countries to be thus represented has depended on the nature of the information presented in the reports, not upon either the importance of the countries concerned or upon the character of the reports themselves.
Australia
The Old Vic visited Australia in 1948 presenting Richard III (along with two other non-Shakespearian plays). In 1949-50 the Shakespeare Memorial Theatre Company brought productions of Macbeth and Much Ado about Nothing. These were the last professional companies to play Shakespeare in Australia until the John Alden Shakespearian Company, an amateur Australian group, became professional in December 1951. This company started with a production of King Lear which ran for six months in Sydney. The repertoire now includes A Midsummer Night's Dream, The Merchant of Venice and The Merry Wives of Windsor. Othello and The Tempest will soon be added.
The National Theatre Movement of Australia in Melbourne, an organization which receives financial support from the State of Victoria, has produced three Shakespearian plays during the year. They started with a semi-professional production of The Taming of the Shrew with Petruchio and Katherina portrayed by professional English actors while the rest of the cast were local amateurs. Later in the season Two Gentlemen of Verona and The Merchant of Venice were presented.
- Type
- Chapter
- Information
- Shakespeare Survey , pp. 117 - 125Publisher: Cambridge University PressPrint publication year: 1953