Book contents
- Frontmatter
- Twentieth-century Studies in Shakespeare's Songs, Sonnets, and Poems
- Songs, Time, and the Rejection of Falstaff
- Shakespeare’s Sonnets and the Elizabethan Sonneteers
- Love’s Confined Doom
- Beasts and Gods: Greene’s Groats-worth of Witte and the Social Purpose of Venus and Adonis
- From Shakespeare’s Venus to Cleopatra’s Cupids
- Venus and the Second Chance
- Some Observations on The Rape of Lucrece
- An Anatomy of The Phoenix and The Turtle
- Shakespeare and the Ritualists
- Illustrations of Social Life IV: The Plague
- The Soest Portrait of Shakespeare
- International Notes
- Shakespeare Productions in the United Kingdom: 1960
- S. Franco zeffirelli’s Romeo and Juliet
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Textual Studies
- Book Received
- Index
- Plate Section
International Notes
Published online by Cambridge University Press: 28 March 2007
- Frontmatter
- Twentieth-century Studies in Shakespeare's Songs, Sonnets, and Poems
- Songs, Time, and the Rejection of Falstaff
- Shakespeare’s Sonnets and the Elizabethan Sonneteers
- Love’s Confined Doom
- Beasts and Gods: Greene’s Groats-worth of Witte and the Social Purpose of Venus and Adonis
- From Shakespeare’s Venus to Cleopatra’s Cupids
- Venus and the Second Chance
- Some Observations on The Rape of Lucrece
- An Anatomy of The Phoenix and The Turtle
- Shakespeare and the Ritualists
- Illustrations of Social Life IV: The Plague
- The Soest Portrait of Shakespeare
- International Notes
- Shakespeare Productions in the United Kingdom: 1960
- S. Franco zeffirelli’s Romeo and Juliet
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Textual Studies
- Book Received
- Index
- Plate Section
Summary
A selection has been made from the reports received from our correspondents, those which present material of a particularly interesting kind being printed in their entirety, or largely so. It should be emphasized that the choice of countries to be thus represented has depended on the nature of the information presented in the reports, not upon the importance of the countries concerned or upon the character of the reports themselves.
Australia
In i960 there were the usual productions of plays set for the school examinations in the various States, including Twelfth Night (produced in Sydney by the Independent Theatre and the Sydney University Players, in Brisbane by the Repertory Theatre, and also in Adelaide), Richard II (the Independent Theatre, Sydney), Hamlet (Twelfth Night Theatre, Brisbane), A Midsummer Night's Dream (Kalgoorlie Repertory Club, in the Festival of Perth), The Merchant of Venice (Brisbane Arts Theatre, in both city and country) and Julius Caesar and Richard HI (both in Adelaide). The National Institute of Dramatic Art in Sydney bravely essayed Love's Labour's Lost but the play had no great success either with the public or with academic critics.
- Type
- Chapter
- Information
- Shakespeare Survey , pp. 131 - 143Publisher: Cambridge University PressPrint publication year: 1962