Book contents
- Frontmatter
- The Catharsis of King Lear
- Lear’s Last Speech
- Albany
- Madness in King Lear
- The Influence of Gorboduc on King Lear
- Some Aspects of the Style of King Lear
- Keats and King Lear
- King Lear on the Stage: A Producer’s Reflections
- Costume in King Lear
- The Marriage-Contracts in Measure for Measure
- Tom Skelton—A Seventeenth-century Jester
- Illustrations of Social Life III: Street-Cries
- An Elizabethan Stage Drawing?
- Was there a Music-room in Shakespeare’s Globe?
- International Notes
- Shakespeare Productions in the United Kingdom: 1958
- Three Adaptations
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Textual Studies
- Books Received
- Index
- Plate Section
International Notes
Published online by Cambridge University Press: 28 March 2007
- Frontmatter
- The Catharsis of King Lear
- Lear’s Last Speech
- Albany
- Madness in King Lear
- The Influence of Gorboduc on King Lear
- Some Aspects of the Style of King Lear
- Keats and King Lear
- King Lear on the Stage: A Producer’s Reflections
- Costume in King Lear
- The Marriage-Contracts in Measure for Measure
- Tom Skelton—A Seventeenth-century Jester
- Illustrations of Social Life III: Street-Cries
- An Elizabethan Stage Drawing?
- Was there a Music-room in Shakespeare’s Globe?
- International Notes
- Shakespeare Productions in the United Kingdom: 1958
- Three Adaptations
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Textual Studies
- Books Received
- Index
- Plate Section
Summary
A selection has been made from the reports received from our correspondents, those which present material of a particularly interesting kind being printed in their entirety, or largely so. It should be emphasized that the choice of countries to be thus represented has depended on the nature of the information presented in the reports, not upon the importance of the countries concerned or upon the character of the reports themselves.
Australia
In 1958 in Australia there was no production such as the 1957 Elizabethan Theatre Trust Hamlet which was seen in each of the States; but each capital city, and some others, saw one or more performances by local companies, amateur or professional. In Sydney, for example, both the Independent Theatre and the Sydney University Players performed Titus Andronicus (the former in a production by John Alden), while the Poetry Society of Australia sponsored several performances of Hamlet (produced by Norma Polonsky, with Keith Buckley as the Prince). In Adelaide, As You Like It was produced by the Teachers' College; in Hobart, The Merchant of Venice by the Repertory Theatre Society (producer, Barbara Manning); in Melbourne, Henry IV Part I by the combined Church of England Grammar Schools; and in Brisbane, King Lear (on an Elizabethan-type stage) by the Twelfth Night Theatre, and Richard II by the Arts Theatre.
- Type
- Chapter
- Information
- Shakespeare Survey , pp. 124 - 133Publisher: Cambridge University PressPrint publication year: 1960