Book contents
- Frontmatter
- The Interpretation of Shakespeare’s Comedies: 1900–1953
- Comic Form in Measure for Measure
- Troilus and Cressida
- As You Like It
- The Integrity of Shakespeare: Illustrated from Cymbeline
- Shakespeare’s Comic Prose
- A Note on a Production of Twelfth Night
- Producing the Comedies
- The New Way with Shakespeare’s Texts II. Recent Work on the Text of Romeo and Juliet
- The Significance of a Date
- Of Stake and Stage
- The Celestial Plane in Shakespeare
- International Notes
- Shakespeare Productions in the United Kingdom: 1953
- Shakespeare at Stratford, Ontario
- Plays Pleasant and Plays Unpleasant
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Textual Studies
- Books Received
- Index
- Plate section
International Notes
Published online by Cambridge University Press: 28 March 2007
- Frontmatter
- The Interpretation of Shakespeare’s Comedies: 1900–1953
- Comic Form in Measure for Measure
- Troilus and Cressida
- As You Like It
- The Integrity of Shakespeare: Illustrated from Cymbeline
- Shakespeare’s Comic Prose
- A Note on a Production of Twelfth Night
- Producing the Comedies
- The New Way with Shakespeare’s Texts II. Recent Work on the Text of Romeo and Juliet
- The Significance of a Date
- Of Stake and Stage
- The Celestial Plane in Shakespeare
- International Notes
- Shakespeare Productions in the United Kingdom: 1953
- Shakespeare at Stratford, Ontario
- Plays Pleasant and Plays Unpleasant
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Textual Studies
- Books Received
- Index
- Plate section
Summary
A selection has here been made from the reports received from our correspondents, those which present material of a particularly interesting kind being printed wholly or largely in their entirety. It should be emphasized that the choice of countries to be thus represented has depended on the nature of the information presented in the reports, not upon either the importance of the countries concerned or upon the character of the reports themselves.
Austria
The second volume of Richard Flatter's translations (see Shakespeare Survey, 7, p. 107) appeared in 1953. The third and last volume is promised for 1954. Parts of another translation finished byTheodor von Zeyneck before his death in 1948 have been published in the series Stifterbibliothek (München, Salzburg and Vienna). It professes to be more faithful to the original than Schlegel-Tieck, but in many respects the old translation is to be preferred.
Austrian productions of Shakespeare between 1945 and 1951 are faithfully recorded by Doris Eisner in Shakespeare-Jahrbuch (1951/2, lxxxvii/lxxxviii, 180-97
Of productions in 1953-4 it is worth mentioning that Julius Caesar was included among the plays given at the Salzburg Festival in the summer 1953, played by a cast from the Vienna Burgtheater on the large stage in the Felsenreitschule. It was later taken into the repertory of the Vienna Burgtheater itself, which, in the spring of 1953, presented also a production of Antony and Cleopatra. Several private theatres in Vienna tried their hands with King Lear, Romeo and Juliet and The Taming of the Shrew, while the Stadttheater in Klagenfurt opened its 1953-4 season with a good performance of Twelfth Night.
KARL BRUNNER
- Type
- Chapter
- Information
- Shakespeare Survey , pp. 118 - 122Publisher: Cambridge University PressPrint publication year: 1955