Book contents
- Frontmatter
- King Lear: A Retrospect, 1980–2000
- How Shakespeare Knew King Leir
- Contracts of Love and Affection: Lear, Old Age, and Kingship
- Headgear as a Paralinguistic Signifier in King Lear
- What becomes of the broken-hearted: King Lear and the Dissociation of Sensibility
- Lear’s Afterlife
- Songs of Madness: The Lyric Afterlife of Shakespeare’s Poor Tom
- Secularizing King Lear: Shakespeare, Tate, and the Sacred
- ‘Look on her, look’: The Apotheosis of Cordelia
- Jacob Gordin’s Mirele Efros: King Lear as Jewish Mother
- ‘How fine a play was Mrs Lear’: The Case for Gordon Bottomley’s King Lear's Wife
- Some Lears
- King Lear and Endgame
- Shakespeare in Pain: Edward Bond’s Lear and the Ghosts of History
- ‘Think about Shakespeare’: King Lear on Pacific Cliffs
- Actors, Editors, and the Annotation of Shakespearian Playscripts
- Titus Andronicus: The Classical Presence
- Julius Caesar, Machiavelli, and the Uses of History
- Scepticism and Theatre in Macbeth
- Revels End, and the Gentle Body Starts
- ‘Taking just care of the impression’: Editorial Intervention in Shakespeare's Fourth Folio, 1685
- ‘A world elsewhere’: Shakespeare in South Africa
- Shakespeare Performances in England, 2001
- Professional Shakespeare Productions in the British Isles January–December 2000
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Editions and Textual Studies (1) and (2)
- Books Received
- Index
Index
Published online by Cambridge University Press: 28 March 2007
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Book contents
- Frontmatter
- King Lear: A Retrospect, 1980–2000
- How Shakespeare Knew King Leir
- Contracts of Love and Affection: Lear, Old Age, and Kingship
- Headgear as a Paralinguistic Signifier in King Lear
- What becomes of the broken-hearted: King Lear and the Dissociation of Sensibility
- Lear’s Afterlife
- Songs of Madness: The Lyric Afterlife of Shakespeare’s Poor Tom
- Secularizing King Lear: Shakespeare, Tate, and the Sacred
- ‘Look on her, look’: The Apotheosis of Cordelia
- Jacob Gordin’s Mirele Efros: King Lear as Jewish Mother
- ‘How fine a play was Mrs Lear’: The Case for Gordon Bottomley’s King Lear's Wife
- Some Lears
- King Lear and Endgame
- Shakespeare in Pain: Edward Bond’s Lear and the Ghosts of History
- ‘Think about Shakespeare’: King Lear on Pacific Cliffs
- Actors, Editors, and the Annotation of Shakespearian Playscripts
- Titus Andronicus: The Classical Presence
- Julius Caesar, Machiavelli, and the Uses of History
- Scepticism and Theatre in Macbeth
- Revels End, and the Gentle Body Starts
- ‘Taking just care of the impression’: Editorial Intervention in Shakespeare's Fourth Folio, 1685
- ‘A world elsewhere’: Shakespeare in South Africa
- Shakespeare Performances in England, 2001
- Professional Shakespeare Productions in the British Isles January–December 2000
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Editions and Textual Studies (1) and (2)
- Books Received
- Index
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- Shakespeare SurveyAn Annual Survey of Shakespeare Studies and Production, pp. 398 - 410Publisher: Cambridge University PressPrint publication year: 2002