Book contents
- Frontmatter
- Reconstructions of the Globe: A Retrospective
- ‘Useful in the Year 1999’: William Poel and Shakespeare’s ‘Build of Stage’
- Reconstructing the Globe: Constructing Ourselves
- From Liturgy to the Globe: the Changing Concept of Space
- The Arithmetic of Memory: Shakespeare’s Theatre and the National Past
- Maximal and Minimal Texts: Shakespeare v. the Globe
- William Shakespeare’s Romeo + Juliet: Everything’s Nice in America?
- Which is the Jew that Shakespeare Knew?: Shylock on the Elizabethan Stage
- A Little Touch of Harry in the Light: Henry V at the New Globe
- Gulls, Cony-Catchers and Cozeners: Twelfth Night and the Elizabethan Underworld
- The Globe, the Court and Measure for Measure
- Macbeth and the Antic Round
- Macbeth / Umabatha: Global Shakespeare in a Post-Colonial Market
- When All is True: Law, History and Problems of Knowledge in Henry VIII
- ‘All which it inherit’: Shakespeare, Globes and Global Media
- ‘Delicious traffick’: Alterity and Exchange on Early Modern Stages
- The 1998 Globe Season
- Shakespeare Performances in England, 1998
- Professional Shakespeare Productions in the British Isles January-December 1997
- The Year's Contributions to Shakespeare Studies 1 Critical Studies
- 2 Shakespeare’s Life, Times, and Stage
- 3 Editions and Textual Studies
- Books Received
- Index
The Arithmetic of Memory: Shakespeare’s Theatre and the National Past
Published online by Cambridge University Press: 28 March 2007
- Frontmatter
- Reconstructions of the Globe: A Retrospective
- ‘Useful in the Year 1999’: William Poel and Shakespeare’s ‘Build of Stage’
- Reconstructing the Globe: Constructing Ourselves
- From Liturgy to the Globe: the Changing Concept of Space
- The Arithmetic of Memory: Shakespeare’s Theatre and the National Past
- Maximal and Minimal Texts: Shakespeare v. the Globe
- William Shakespeare’s Romeo + Juliet: Everything’s Nice in America?
- Which is the Jew that Shakespeare Knew?: Shylock on the Elizabethan Stage
- A Little Touch of Harry in the Light: Henry V at the New Globe
- Gulls, Cony-Catchers and Cozeners: Twelfth Night and the Elizabethan Underworld
- The Globe, the Court and Measure for Measure
- Macbeth and the Antic Round
- Macbeth / Umabatha: Global Shakespeare in a Post-Colonial Market
- When All is True: Law, History and Problems of Knowledge in Henry VIII
- ‘All which it inherit’: Shakespeare, Globes and Global Media
- ‘Delicious traffick’: Alterity and Exchange on Early Modern Stages
- The 1998 Globe Season
- Shakespeare Performances in England, 1998
- Professional Shakespeare Productions in the British Isles January-December 1997
- The Year's Contributions to Shakespeare Studies 1 Critical Studies
- 2 Shakespeare’s Life, Times, and Stage
- 3 Editions and Textual Studies
- Books Received
- Index
Summary
I want to begin with two exemplary memorial moments. The first is from Henry V, in the lull before the battle at Agincourt. It is a famous moment of social remembering, framed as reminiscence in the future tense:
Old men forget; yet all shall be forgot,
But he'll remember, with advantages,
What feats he did that day. Then shall our names,
Familiar in his mouth as household words [...]
Be in their flowing cups freshly remembered.
This story shall the good man teach his son.
And Crispin Crispian shall ne'er go by
From this day to the ending of the world
But we in it shall be rememberèd,
We few, we happy few, we band of brothers.
For he today that sheds his blood with me
Shall be my brother; be he ne'er so vile,
This day shall gentle his condition.
(4.3.49-63)As Harry presents it, the source of social cohesion is the potential for future re-telling offered by the events that are about to take place. Both the soldiers clustered around Henry and the audience in the theatre are projected forward, into a narrative moment that will give the present (or, more precisely, the near-future) retrospective meaning. The story will be passed on, and embellished ('with advantages'), gaining a momentum of its own, a fictional reality that will allow it, among other things, to be staged at the Globe theatre almost two hundred years later.
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- Shakespeare Survey , pp. 54 - 67Publisher: Cambridge University PressPrint publication year: 1999
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