Book contents
- Frontmatter
- Shakespeare’s Romances: 1900–1957
- The Structure of the Last Plays
- Six Points of Stage-Craft in The Winter’s Tale
- History and Histrionics in Cymbeline
- Shakespeare’s Hand in The Two Noble Kinsmen
- Music and its Function in the Romances of Shakespeare
- The Magic of Prospero
- The New Way with Shakespeare’s Texts: An Introduction for Lay Readers
- A Portrait of a Moor
- The Funeral Obsequies of Sir All-in-New-Fashions
- Martin Peerson and the Blackfriars
- Dramatic References from the Scudamore Papers
- International Notes
- Hamlet Costumes: A Correction
- Shakespeare Productions in the United Kingdom: 1956
- Unto Caesar: A Review of Recent Productions
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Textual Studies
- Books Received
- Index to Volume 11
- General Index to Volumes 1-10
- Plate Section
Hamlet Costumes: A Correction
Published online by Cambridge University Press: 28 March 2007
- Frontmatter
- Shakespeare’s Romances: 1900–1957
- The Structure of the Last Plays
- Six Points of Stage-Craft in The Winter’s Tale
- History and Histrionics in Cymbeline
- Shakespeare’s Hand in The Two Noble Kinsmen
- Music and its Function in the Romances of Shakespeare
- The Magic of Prospero
- The New Way with Shakespeare’s Texts: An Introduction for Lay Readers
- A Portrait of a Moor
- The Funeral Obsequies of Sir All-in-New-Fashions
- Martin Peerson and the Blackfriars
- Dramatic References from the Scudamore Papers
- International Notes
- Hamlet Costumes: A Correction
- Shakespeare Productions in the United Kingdom: 1956
- Unto Caesar: A Review of Recent Productions
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Textual Studies
- Books Received
- Index to Volume 11
- General Index to Volumes 1-10
- Plate Section
Summary
[The following notes refer to the article on 'Hamlet Costumes' by D. A. Russell in Shakespeare Survey, 9.]
In his 'Hamlet Costumes from Garrick to Gielgud', D. A. Russell makes reference to our Hamlet Through the Ages (1952; second impression, revised and enlarged, 1955). Though not actually quoting us wrongly, he does by certain mistakes give the impression that we must be in error in our information. We are glad of this opportunity to correct a number of factual errors in the article, which, lest they might lead others astray, need correction. We propose to deal with the text and illustrations together in order, and to note only factual errors, not those of interpretation.
1. Plate I, 2 is not an engraving of Samuel Foote, who only played Hamlet during his first engagement at the Haymarket in 1744. It is a picture of John F. Foote, who played Hamlet at Drury Lane on 12 November 1802. This completely destroys the author's idea that any costume other than contemporary dress was used before the advent of Kemble in 1783.
2. Plate I, 3. Henderson is depicted in the grave-yard scene, in which Hamlet would naturally not be wearing royal insignia, being hastily returned from England.
3. …
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- Information
- Shakespeare Survey With Index 1-10 , pp. 123 - 124Publisher: Cambridge University PressPrint publication year: 1958