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Shakespeare's Imperfect Memory of History

from History and Histories

Published online by Cambridge University Press:  05 September 2014

Manfred Draudt
Affiliation:
The University of Vienna
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Summary

Shakespeare's history plays used to be and still are regarded as a reliable source of information on English (medieval) history. According to Coleridge, John Churchill, the first Duke of Marlborough, was “not ashamed to confess that his principal acquaintance with English history was derived from Shakespeare's plays.” And David Scott Kastan, referring to this fact, continues: “No doubt he speaks for many more now […] whose acquaintance with England's medieval past comes via Shakespeare.” Furthermore, over the years Shakespeare's histories appear to have taken on a kind of popular mythical status and so themselves have shaped historical consciousness. Yet Shakespeare was a poet or dramatist rather than a historian, a distinction already established in the sixteenth century and defined by Sir Philip Sidney:

[…] the Historian […] is so tied […] to what is, to the particular truth of things, and not to the general reason of things, that his example draweth no necessarie consequence, and therefore a lesse fruitfull doctrine. [Poets, by contrast,] borrow nothing of what is, hath bin, or shall be … he citeth no authorities of other histories … the Poets persons and dooings, are but pictures, what should be, and not stories what have bin.

Shakespeare definitely does not turn history upside down, he always retains the basic outlines of what his audiences expected, yet at the same time does not feel “tied down” to the details of historical events and figures.

Type
Chapter
Information
Shakespeare in Europe
History and Memory
, pp. 89 - 98
Publisher: Jagiellonian University Press
Print publication year: 2008

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