Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-8bhkd Total loading time: 0 Render date: 2024-11-06T01:16:15.780Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

7 - An Interview with Gene Wolfe

from I - The Trackless Meadows of Old Time

Get access

Summary

Wolfe's interview with Elliott Swanson, first published in Interzone(Autumn 1986), follows the mass-market publication of Free Live Freein 1985. Here, in part, Wolfe indicates the differences between the Ziesing small press edition and the American and British editions of his complex, transtemporally plotted novel.

When future scholars look back in some academic quest to determine the point where science fiction made the jump to literature, one of the writers they'll have to contend with is Gene Wolfe. Born in 1931, he has recently abandoned the editing of a technical magazine for full-time fiction writing. His first stories were published in the 1960s, but it was not until the appearance of the first volume of The Book of the New Sun(The Shadow of the Torturer) in 1980 that twenty years of writing turned into an ‘overnight success’.

ES: Many writers with scientific backgrounds stick mainly to ‘hard’ sf. As an ex-engineer, how did you dodge the stereotype?

GW: Actually, I have written a certain amount of hard science fiction. I think that someone like myself who has done a good deal of practical engineering has an appreciation of the difficulties of the thing. I don't find myself very comfortable with characters who build time machines in their basements or whip out super-powered lasers from broken frying pans. I don't believeit can be done. I did manage to learn that things that should work in theory don't always work in practice, and that most of an engineer's really difficult problems are with people and politics.

ES: The numbing effect of technology seems to be a recurring theme in your writing. How do you see technology affecting our short-term future?

GW: Fundamentally, as we let it. Technology is a tool, not a god or a devil. Radio and television could have been the greatest things since the printing press; but we want elevator music, propaganda, and sales pitches, so that's what we're getting, for the most part. Creating and using technology requires a great deal of training and education, but the public is being sold on the idea that technology does away with the need for education – why learn to spell when you can get a spelling-checker for your word processor?

Type
Chapter
Information
Shadows of the New Sun
Wolfe on Writing/Writers on Wolfe
, pp. 73 - 78
Publisher: Liverpool University Press
Print publication year: 2007

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×