MILLER'S WORK HAS BEEN collectively placed in several literary genres and historical or cultural categories, and one result is an unfortunate reductive quality in assessments of Miller's work. Although the categories themselves create their own complex issues of form, coding, and points for inclusion, these intricacies, first and foremost, limit a general understanding, and hence judgment, of Miller's work. Three categories are assessed in this chapter: surrealism, obscenity and pornography and the confession, or autobiography. While useful or enlightening issues may arise out of arguments following from such categorizations, this chapter considers how the categories impact negatively on an analysis of Miller's work. It also notes how these categories are fundamentally contrary to the over-arching position asserted in this book that Miller's is a form of “minor literature” in terms of its multiplicity of readings and their peculiarity, adaptability, and fluidity.

The three categories chosen for analysis in this chapter are the most dramatic readings of Miller's work in terms of the way they provide both supportive and oppositional perspectives on the writer.