Book contents
- Frontmatter
- Contents
- Acknowledgements
- List of figures
- Introduction: romantics versus modernists?
- 1 1929: romantics and modernists on the cusp of sound
- 2 The running man: Hitchcock's fugitives and The Bourne Ultimatum
- 3 Running man 2: Carol Reed and his contemporaries
- 4 David Lean: the troubled romantic and the end of empire
- 5 The trauma film from romantic to modern: A Matter of Life and Death to Don't Look Now
- 6 Joseph Losey and Michelangelo Antonioni: the expatriate eye and the parallax view
- 7 Expatriate eye 2: Stanley Kubrick and Jerzy Skolimowski
- 8 Terence Davies and Bill Douglas: the poetics of memory
- 9 Conclusion: into the new century
- Select bibliography
- Index
- EUP JOURNALS ONLINE
- Frontmatter
- Contents
- Acknowledgements
- List of figures
- Introduction: romantics versus modernists?
- 1 1929: romantics and modernists on the cusp of sound
- 2 The running man: Hitchcock's fugitives and The Bourne Ultimatum
- 3 Running man 2: Carol Reed and his contemporaries
- 4 David Lean: the troubled romantic and the end of empire
- 5 The trauma film from romantic to modern: A Matter of Life and Death to Don't Look Now
- 6 Joseph Losey and Michelangelo Antonioni: the expatriate eye and the parallax view
- 7 Expatriate eye 2: Stanley Kubrick and Jerzy Skolimowski
- 8 Terence Davies and Bill Douglas: the poetics of memory
- 9 Conclusion: into the new century
- Select bibliography
- Index
- EUP JOURNALS ONLINE
Summary
- Type
- Chapter
- Information
- Romantics and Modernists in British Cinema , pp. 189 - 196Publisher: Edinburgh University PressPrint publication year: 2010