Book contents
- Frontmatter
- Contents
- Acknowledgments
- Introduction: Definitions and Themes
- 1 The Relationship between Theater and Religion
- 2 Religion in Modern European Theater and Drama
- 3 “No One Wants to Get to God Anymore”? Botho Strauß's Groß und klein and Die eine und die andere
- 4 Theological Farce: George Tabori's Mein Kampf
- 5 “The Last Refuge for Metaphysics”: Werner Fritsch's Theater Theory
- 6 “The Feeling of Faith”: Fritsch's Wondreber Totentanz and Aller Seelen
- 7 Belief and Unbelief in the Twenty-First Century: Lukas Bärfuss's Der Bus (Das Zeug einer Heiligen)
- Conclusion
- Bibliography
- Index
- Frontmatter
- Contents
- Acknowledgments
- Introduction: Definitions and Themes
- 1 The Relationship between Theater and Religion
- 2 Religion in Modern European Theater and Drama
- 3 “No One Wants to Get to God Anymore”? Botho Strauß's Groß und klein and Die eine und die andere
- 4 Theological Farce: George Tabori's Mein Kampf
- 5 “The Last Refuge for Metaphysics”: Werner Fritsch's Theater Theory
- 6 “The Feeling of Faith”: Fritsch's Wondreber Totentanz and Aller Seelen
- 7 Belief and Unbelief in the Twenty-First Century: Lukas Bärfuss's Der Bus (Das Zeug einer Heiligen)
- Conclusion
- Bibliography
- Index
Summary
- Type
- Chapter
- Information
- Religion in Contemporary German DramaBotho Strauß, George Tabori, Werner Fritsch, and Lukas Bärfuss, pp. 161 - 168Publisher: Boydell & BrewerPrint publication year: 2013